Moral Poison in Modern FictionJohnson, R. Brimley (Reginald Brimley)
History
Moral Poison in Modern Fiction
Johnson, R. Brimley (Reginald Brimley)
English fiction -- 20th century -- History and criticism; Pornography
It is difficult, nevertheless, to see how _mutual_ infidelity can
actually remove the admitted evils of a situation it makes more
complex; or to believe that publicity can, of itself, turn black to
white. By some curious twist of reasoning, it really would seem that
they maintain: "By lifting the blinds, we have created a 'new' woman,
the ideal of all the ages."
For where, after all, have they turned to find her, save to their
knowledge and experience of the past? We cannot, positively,
reconstruct human nature.
There is a clear and concise exposition of the whole theory in Miss
Romer Wilson's last novel, _The Death of Society_. It is the story of
Mr. Smith and his short visit to a distinguished Norwegian writer. He,
quite openly, worships the old man's young wife—"his girl, his woman,
his desire"—and though for them "time was so short they could not
afford to sleep," it is expressly stated that "_she, the perfect woman
in whom all women live, raised him to perfect manhood_." "Now," he
said, "I have confidence to do what I think right. . . . I do not care
for opinion any longer."
Together, "they fell into the deep pool of love," when she "was too far
gone in bliss to reply."
"Many men," she said, "men who came to see my husband, thought that
I was part of the visit, and that no man who thought well of himself
should go away without seducing me." But "that is how you seduced me,
because I saw love sprang straight from your heart and not from custom."
"There was an Italian man who loved me, but not more than the books
with gold covers on his shelves. . . . He said I was the Muse of
Comedy. . . . There was a Frenchman who said I was the Muse of
Poetry. . . . There was a Russian who said nothing. . . . He loved me
because we were both animals; but only you love me because I am part of
your life and so I love you equally."
Miss Wilson, indeed, attempts to impart a unique atmosphere into this
commonplace intrigue by a remarkable device. Smith "cannot speak
German, nor speak Norwegian." _She_ knows only a few words of English.
"I like to _pretend_ you hear," said Rosa, "I have always pretended";
and he "could address her in whatever words he liked," since "lovers'
language is universal."
By this method they do, in fact, hold conversations by the hour,
answering each other with quite miraculous preciseness; understanding,
we are expected to believe, the intimacies of thought and feeling
behind each phrase: "though he had no idea what she had said, word for
word." The intention, obviously, is to suggest some special mysterious,
if not miraculous, bond of the spirit knitting two souls in one. The
comment of a plain man, who deals with facts, must be that inarticulate
love can be only physical. It does not elevate, but further degrades,
their intimacy. He "had gone back to the dust to learn about God."
Public-domain text, read in full here on John Shaqi.
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