“Quì si và a piedi, ’cellenza!” said Maria, climbing down from her
seat. The little carriage could go no farther, and I returned suddenly
to earth and meekly followed her example. The sound of voices and
footsteps began to fill the air, and we came on shadowy groups resting
by the wayside, pilgrims who had come from far on foot. Then at a
sudden turn we were in the piazza, and all outer things, sky and stars
and peaks, were swallowed up in blackness, for the piazza was one blaze
of orange light from hundreds of torches, burning luridly and outlining
the dark façade of the church with red-gold gleams that rose and sank
like dancing waters; turning a face here, a costume there, to unearthly
brightness and then leaping away in tall tongues of fire, to be lost in
the mist of smoke overhead.
The crowd was so thick that we could scarcely reach the church, from
the open doors of which a flood of broad yellow radiance streamed
out over the heads of the pilgrims who knelt in serried ranks on the
portico, all faces turned to the interior, whence streamed that soft
illumination. When we stood on the threshold I saw that it came from
the High Altar, which seemed to be floating in a vast _mandorla_ of
light. Hundreds and hundreds of wax candles, each a tongue of steady
golden flame, surrounded the Tabernacle and reached, in an oval of
fire, almost to the roof. The walls of the church were covered with
white draperies to which were fastened wreaths and garlands and single
sprays of flowers, a delicate ornamentation as old as ancient Rome and
always used in the Penisola; and every pilaster was panelled from top
to bottom with crimson damask trimmed with gold—those precious strips
of drapery which the well-to-do families hoard from generation to
generation and lend to the different churches as required.
From door to altar rails the church was packed with kneeling
worshippers, and a great hush prevailed, for midnight had struck and
Mass was about to begin.
My companion, threading her way with coaxing apologies, pulled me
along till she found a place where we could both kneel by a pillar
at the top of the church, and just as we had settled ourselves a
sweet-voiced old organ, high up in an invisible gallery, sent out the
first notes of the chant, filling the little ancient building with a
flood of music—not the usual gay tunes that Italians love to hear in
church, but solemn, thrilling airs from some old Mass that I had never
heard before. The singers had been brought from far, and the voices
were of the best—which is saying a great deal in South Italy, where
everybody is born with “a harp in his throat.” Somehow it was one of
the most beautiful services I ever attended. The absorbed devotion of
the people, the reverent manner of the Celebrant and his assistants,
the full-throated responses that were taken up by the kneeling crowd
outside, where every sound was hushed the moment Mass began—it was the
very essence of whole-hearted, loving worship.
Public-domain text, read in full here on John Shaqi.
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