"The splinters fall in showers
Where woodmen trees are felling;
Oh, good and pretty children
Are dear beyond all telling!"
But in his present cheerful frame of mind Maciej protested
energetically against even this slight echo of sadness.
"Eh! just you shut up about your children! I've five of them, and I
don't care as much for them all together as you do for the one."
The shoemaker evidently acknowledged the justice of this bold remark,
for he passed it over in silence, and only proposed to Maciej with a
gesture to put on the samovar. Maciej did his work in the kitchen
noisily and cheerily. He had completely forgotten about his favourite
place, "the little bench a bit stronger," and he returned to us
without delay. His voice, always absolutely unsuited to the acoustic
properties of the room, now sounded as perhaps it once did in those
years on the fields of Mazowsze. When he spoke, it was simply a shout,
for he did not modify the intonation by any expression whatever. He
talked about his work, gesticulated, and waved his arms; when obliged
to stand up, he moved suddenly, and the same when he sat down; he
became indignant, and retracted his words; he squeezed his fingers
together and spread them out; but he did all this slowly and
accurately, just in the way he spoke. He said not a single word nor
related a single fact without supporting and illustrating it by
expressive mimicry, by a movement or a pose, which he always tried to
make as near the original as possible. So when I returned to his
protests against the shoemaker's sadness, and asked him: "Have you
five sons, Maciej?" he answered: "Five, like the five fingers on my
hand"; and, holding up his fist, he carefully spread out his fingers
one by one. He laughed long and heartily at this, in the way that only
children laugh, his whole body shaking.
But it was not only his laugh that was childlike; Maciej's big broad
face, portraying his inward calm, reminded me of the face of a little
child whose thoughts have as yet not influenced its features. In
proportion to his height and breadth Maciej's head seemed to me
smaller than it really was. His wide neck diminished it still more.
But when he sat down, resting his hands on his knees in his usual
manner, somehow his head disappeared entirely, and then from behind he
was very like a pointed hayrick, while from the side he reminded me
of those clumsy but impressive figures which people of past ages cut
out in rocks and stone.
The longer I looked at him, the stronger became my wish to know this
huge fellow rather better, and to ascertain something more about him.
I therefore decided to profit by the occasion, which possibly might
not soon occur again, and to spend the whole evening with the
shoemaker.
Public-domain text, read in full here on John Shaqi.
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