It was either the seal of death on his forehead, or possibly other and
deeper reasons, which gave his face its particular expression. I said
before that it was the face of a very handsome man, and I ought to add
that it also expressed that gentleness and tenderness which belongs
essentially to feminine beauty, and that it was stamped with
indescribable sadness. He varied a good deal in his behaviour; his way
of expressing himself and his manners frequently betrayed the
influence of the surroundings in which he had been living for long
past. Frequently--though not always--he could control himself,
however, and then there appeared on his face a new sign of the manhood
not yet completely crushed--namely, a blush of shame at his present
position.
The shoemakers, as became busy men, did not even move on their stools
when I entered. I therefore took off my things and brushed away the
hoar-frost in silence, and it was only when I went up nearer to them
that they both raised their bent heads, welcoming me with a friendly
smile. As he was holding his pegs in his teeth, Pan Józef was able to
offer me his hand, dropping it again immediately with a mechanical
movement, and murmuring something indistinctly. Horodelski, after
giving his greeting, looked at the heel, still unfinished, and,
setting the boot on the ground, exclaimed with a sigh: "Well, that's
finished!"
This was his favourite expression.
"What's finished?" I asked, however.
"Everything," came the equally stereotyped answer.
"Except the heel," Pan Józef muttered, taking the last peg from his
teeth.
"It's possible the heel may get done too--that is, of course, if I
don't leave this cursed ruin and go back to the church clerk,"
Horodelski answered quickly.
"Are you uncomfortable here, or what's up?" chaffed Pan Józef. "The
Lord be praised, it's a good workshop, there are enough tools--and
rooms, too; if you like, you can dance a quadrille."
But Horodelski did not listen, and continued:
"Yes, it may very possibly be that I shall give up shoemaking, if only
for as long as I stay with the clerk. I shall leave it just because
this shoemaker has made it as clear as day to me that I am no good at
my trade, and can only be assistant to a bungling clerk."
Pan Józef tittered, highly pleased, and was just preparing to answer
suitably, when a grave bass voice interrupted him.
"You may go to the clerk or not, but you'll never be a shoemaker."
The bass voice came from a dark corner of the same room. I therefore
looked more attentively in that direction.
On a low plank bed, with his head bent forward, and emptying his pipe,
sat a stalwart peasant, known as Bartek the Shepherd.
"Why not?" I asked, greeting the speaker.
"Why not?" Bartek answered. "Because no one can escape his destiny. A
dog can't become a bitch, nor a woman a man."
"That is quite a different matter."
Public-domain text, read in full here on John Shaqi.
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