More Tales of the BirdsFowler, W. Warde (William Warde)
General
More Tales of the Birds
Fowler, W. Warde (William Warde)
Birds; Birds -- Juvenile literature
“I can’t see the Downs,” said the Linnet, “but I can feel them still,
and I know that my feeling is true.”
After this there was silence for a few minutes. Suddenly the Canary
burst into song, as if to drive away the Linnet’s sad thoughts. And so
indeed he meant it, and also to ease his own mind, after it had been
bottled up so long. Little did he know what was to come of that
outburst, as he poured forth rattle and reel, reel and rattle, every
feather quivering, the cage vibrating, the air resounding, the street
echoing! Children playing in the gutter stopped to look up at the cages,
at the triumphant yellow bird in all the glow of effort, and at the ugly
brown one that seemed trying to hide away from this hurricane of song.
Even the costermonger’s placid donkey in the cart two doors away shook
its long ears and rattled its harness. A policeman at the end of the
street turned his head slowly round to listen, but recollected himself
and turned it slowly back again. The red-faced cobbler, who had been
more than once to the drink-shop while the birds were talking, once more
seized the hob-nailed boot he was mending, and as the Canary burst
afresh, and after a second’s pause, into a still shriller outpouring, he
glanced out of the open window up the street, saw the policeman’s back
vanishing round the corner, and then took wicked aim and flung the boot
with all his force at the unconscious singer.
The song suddenly ceased; there was the crash of wood and wirework
tumbling to the ground, and the gutter children scrambled up and made
for the fallen cage. The cobbler rushed out of the opposite house,
snatched up the boot and vanished. A woman with dishevelled hair came
tearing into the street and picked up the cage. It was empty, and the
door was open. She glanced up, and with a sigh of relief saw the Canary
still safe in his cage.
The cobbler’s arm had swerved ever so little, and the boot had hit the
wrong cage. The door had come open as it reached the ground, and the
Linnet had escaped. The woman thanked her stars that it was “the ugly
bird” that was gone, and so too did the cobbler, now repentant, as he
peered from behind the door of his back-kitchen. The Canary sat still
and frightened on his perch, and for a full hour neither sang a note nor
pecked a seed.
When the cage fell and the door had come unlatched, the Linnet was out
of it in a moment, but, dizzy and bruised with the fall, and feeling his
wings stiff and feeble, he looked for something to rest on. The first
object that met his eyes was the donkey in the coster’s cart,—and indeed
there was nothing else in the street that looked the least bit
comfortable. Donkeys had been familiar to Lintie on the Downs, and among
the thistles they both loved. So he perched on the donkey’s back, his
claws convulsively grasping the tough grey hair.
Public-domain text, read in full here on John Shaqi.
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