Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal Masculine — John Shaqi
Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal MasculineSudermann, Hermann
General
Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal Masculine
Sudermann, Hermann
German drama -- Translations into English
The Painter.
I, sir?
The Marshal.
So, draw!
The Painter.
No, that you will never live to see!
The Marshal.
Then why do you wear a sword?
The Painter.
Because I choose to.
The Marshal.
You are a coward.
The Painter.
(_Controlling himself, with a smiling bow_.) And you are a hero! (_In
the meanwhile the door at the centre is opened_. The Marquises _put
their heads in, listening_. The Painter _observes it and takes his
sword from the table where he has just laid it_.) See! As the traveller
uses the staff to defend himself against dogs, so I must wield it. Such
people are to be found at all doors where small men work and lie in
wait and play the parasite. (The Marquises _draw back. The door at the
centre is suddenly closed_.) Yet ever to bare the sword against you,
with whom, out of a timid trustfulness, a bond, a splendid bond of
pride, entwined me; whom of all the incompletely great men, I
admiringly called the only great man--if ever I were to be guilty of
such ignominy, I should not find my small share of peace even in the
shade of the most beautiful church-yard lindens.
The Marshal.
Are you still young?
The Painter.
I am not exactly old, yet my fortune has been so checkered and various
that I joyfully had given seven every-day lives for _one_ surfeit of
this. And in the end--however one may work and strive, it is man's
destiny: he dies of Woman. Therefore, instead of passing away slowly
by my own, I will quickly find my end by the wife of another. My
chariot of victory stops indeed suddenly. I greet its well-appointed
driver--and I greet my judge. Thrust on!
The Marshal.
I may be a judge, but I am not an executioner. So do me the favour----
The Painter.
And fighting, let you run me through? No, Marshal! That I must refuse.
See! Each of us two has his art. You employ the sword, I the palette.
How would it be if I should say to you now in accordance with the
practice of my craft: Come, we will paint on a wager? And you do not
know the merest precept of light-value, azure, modelling. Very well,
you are a dead man for me. Afterward you might--that is allowed
you--come to life into the bargain, if you liked.
The Marshal.
You are mocking me, surely!
The Painter.
Surely, no! Yet every fight should be a fight on a wager. Because in a
fight between men you are a complete man, I should like to show that I
too can do something. You are laughing.
The Marshal.
Public-domain text, read in full here on John Shaqi.
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