Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories, English
WAITER. Thank you, Signore. But as I was saying, Signore, delicacy,
purity.... You think I do not understand such sentiments. Alas, Signore,
beneath the humblest shirt-front there beats a heart. And if the
Signore's sentiments are too much for him, I have a niece. Eighteen
years old, and what eyes, what forms!
ALBERTO. Stop, stop. Respect my feelings, Waiter, as well as the ears of
the young lady (_he points towards the glass doors_). Remember she is an
American. (_The Waiter, bows and goes into the hotel_.)
SIDNEY DOLPHIN _and_ MISS AMY TOOMIS
_come out together on to the terrace._ MISS AMY _supports a well-shaped
head on one of the most graceful necks that ever issued from
Minneapolis. The eyes are dark, limpid, ingenuous; the mouth expresses
sensibility. She is twenty-two and the heiress of those ill-gotten
Toomis millions_. SIDNEY DOLPHIN _has a romantic aristocratic
appearance. The tailoring of_ 1830 _would suit him. Balzac would have
described his face as_ plein de poésie. _In effect he does happen to be
a poet. His two volumes of verse, "Zeotrope and 'Trembling Ears," have
been recognised by intelligent critics as remarkable. How far they are
poetry nobody, least of all Dolphin himself, is certain. They may be
merely the ingenious products of a very cultured and elaborate brain.
Mere curiosities; who knows? His age is twenty-seven. They sit down at
one of the little iron tables_, ALBERTO _they do not see; the shadow of
the trees conceals him. For his part, he is too much absorbed in
savouring his own despair to pay any attention to the newcomers. There
is a long, uncomfortable silence_. DOLPHIN _assumes the Thinker's
mask--the bent brow, the frown, the finger to the forehead_, AMY
_regards this romantic gargoyle with some astonishment. Pleased with her
interest in him_, DOLPHIN _racks his brains to think of some way of
exploiting this curiosity to his own advantage; but he is too shy to
play any of the gambits which his ingenuity suggests_. AMY _makes a
social effort and speaks, in chanting Middle Western tones._ AMY. It's
been a wonderful day, hasn't it?
DOLPHIN (_starting, as though roused from profoundest thought_). Yes,
yes, it has.
AMY. You don't often get it as fine as this in England, I guess.
DOLPHIN. Not often.
AMY. Nor do we over at home.
DOLPHIN. So I should suppose. (_Silence. A spasm of anguish crosses_
DOLPHIN'S _face; then he reassumes the old Thinker's mask._ AMY _looks
at him for a little longer, then, unable to suppress her growing
curiosity, she says with a sudden burst of childish confidence:_)
AMY. It must be wonderful to be able to think as hard as you do, Mr.
Dolphin. Or are you sad about something?
DOLPHIN (_looks up, smiles, and blushes; a spell has been broken_). The
finger at the temple, Miss Toomis, is not the barrel of a revolver.
AMY. That means you're not specially sad about anything. Just thinking.
DOLPHIN. Just thinking.
AMY. What about?
Public-domain text, read in full here on John Shaqi.
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