Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories, English
LUCREZIA (_with a sudden access of energy and passion_). The
disgustingness of it, you mean. (_She pushes him from her. His head
wobbles once, as though it were inanimate, before he straightens into
life_.) The maternal instinct. Ugh. It's been the undoing of too many
women. You men come with your sentimental babyishness and exploit it for
your own lusts. Be a man, Bertino. Be a woman, I mean, if you can.
ALBERTO (_looking up at her with eyes full of doglike, dumb reproach_).
Lucrezia! You, too? Is there nobody who cares for me? This is the
unkindest cut of all. I may as well die. (_He relapses into tears_.)
LUCREZIA (_who has started to go, turns back, irresolute_). Now, don't
cry, Bertino. Can't you behave like a reasonable being? (_She makes as
though to go again_.)
ALBERTO (_through his sobs_). You too, Lucrezia! Oh, I can't bear it, I
can't bear it.
LUCREZIA (_turning back desperately_). But what do you want me to do?
Why should you expect _me_ to hold your hand?
ALBERTO. I thought better of you, Lucrezia. Let me go. There is nothing
left for me now but death. (_He rises to his feet, takes a step or two,
and then collapses into another chair, unable to move_.)
LUCREZIA (_torn between anger and remorse_). Now do behave yourself
sensibly, Bertino. There, there ... you mustn't cry. I'm sorry if I've
hurt you. (_Looking towards the left along the path taken by_ AMY _and_
DOLPHIN.) Oh, damnation! (_She stamps her foot_.) Here, Bertino, do pull
yourself together. (_She raises him up_.) There, now you must stop
crying. (_But as soon as she lets go of him his head falls back on to
the iron table with an unpleasant, meaty bump. That bump is too much
for_ LUCREZIA. _She bends over him, strokes his head, even kisses the
lustrous curls_.) Oh, forgive me, forgive me! I have been a beast. But,
tell me first, what's the matter, Bertino? What is it, my poor darling?
Tell me.
ALBERTO. Nobody loves me.
LUCREZIA. But we're all devoted to you, Bertino mio.
ALBERTO. She isn't. To-day she shut the door in my face.
LUCREZIA. She? You mean the French-woman, the one you told me about?
Louise, wasn't she?
ALBERTO. Yes, the one with the golden hair.
LUCREZIA. And the white legs. I remember: you saw her bathing.
ALBERTO (_lays his hand on his heart_). Ah, don't remind me of it. (_His
face twitches convulsively_.)
LUCREZIA. And now she's gone and shut the door in your face.
ALBERTO. In my face, Lucrezia.
LUCREZIA. Poor darling!
ALBERTO. For me there is nothing now but the outer darkness.
LUCREZIA. Is the door shut forever, then?
ALBERTO. Definitively, for ever.
LUCREZIA. But have you tried knocking? Perhaps, after all, it might be
opened again, if only a crack.
ALBERTO. What, bruise my hands against the granite of her heart?
LUCREZIA. Don't be too poetical, Bertino mio. Why not try again, in any
case?
ALBERTO. You give me courage.
LUCREZIA. There's no harm in trying, you know.
Public-domain text, read in full here on John Shaqi.
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