Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories, English
Edmund, forty-seventh Baron Badgery, was a lineal descendant of that
Edmund, surnamed Le Blayreau, who landed on English soil in the train of
William the Conqueror. Ennobled by William Rufus, the Badgerys had been
one of the very few baronial families to survive the Wars of the Roses
and all the other changes and chances of English history. They were a
sensible and philoprogenitive race. No Badgery had ever fought in any
war, no Badgery had ever engaged in any kind of politics. They had been
content to live and quietly to propagate their species in a huge
machicolated Norman castle, surrounded by a triple moat, only sallying
forth to cultivate their property and to collect their rents. In the
eighteenth century, when life had become relatively secure, the Badgerys
began to venture forth into civilised society. From boorish squires they
blossomed into _grands seigneurs_, patrons of the arts, virtuosi. Their
property was large, they were rich; and with the growth of industrialism
their riches also grew. Villages on their estate turned into
manufacturing towns, unsuspected coal was discovered beneath the surface
of their barren moorlands. By the middle of the nineteenth century the
Badgerys were among the richest of English noble families. The
forty-seventh baron disposed of an income of at least two hundred
thousand pounds a year. Following the great Badgery tradition, he had
refused to have anything to do with politics or war. He occupied himself
by collecting pictures; he took an interest in theatrical productions;
he was the friend and patron of men of letters, of painters, and
musician. A personage, in a word, of considerable consequence in that
particular world in which young Spode had elected to make his success.
Spode had only recently left the university. Simon Gollamy, the editor
of the _World's Review_ (the "Best of all possible Worlds"), had got to
know him--he was always on the look out for youthful talent--had seen
possibilities in the young man, and appointed him art critic of his
paper. Gollamy liked to have young and teachable people about him. The
possession of disciples flattered his vanity, and he found it easier,
moreover, to run his paper with docile collaborators than with men grown
obstinate and case-hardened with age. Spode had not done badly at his
new job. At any rate, his articles had been intelligent enough to arouse
the interest of Lord Badgery. It was, ultimately, to them that he owed
the honour of sitting to night in the dining-room of Badgery House.
Public-domain text, read in full here on John Shaqi.
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