Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories, English
"I suppose you know Deburau's pantomimes?" Spode rapped out as soon as
the story was over. He was in an itch to let out his information about
Deburau. Badgery had given him a perfect opening with his ridiculous
Sanger. "What a perfect man, isn't he? He used to...."
"This is my main gallery," said Lord Badgery, throwing open one leaf of
a tall folding door. "I must apologise for it. It looks like a
roller-skating rink." He fumbled with the electric switches and there
was suddenly light--light that revealed an enormous gallery, duly
receding into distance according to all the laws of perspective. "I dare
say you've heard of my poor father," Lord Badgery continued. "A little
insane, you know; sort of mechanical genius with a screw loose. He used
to have a toy railway in this room. No end of fun he had, crawling about
the floor after his trains. And all the pictures were stacked in the
cellars. I can't tell you what they were like when I found them:
mushrooms growing out of the Botticellis. Now I'm rather proud of this
Poussin; he painted it for Scarron."
"Exquisite!" Spode exclaimed, making with his hand a gesture as though
he were modelling a pure form in the air. "How splendid the onrush of
those trees and leaning figures is! And the way they re caught up, as it
were, and stemmed by that single godlike form opposing them with his
contrary movement! And the draperies...."
But Lord Badgery had moved on, and was standing in front of a little
fifteenth-century Virgin of carved wood.
"School of Rheims," he explained.
They "did" the gallery at high speed. Badgery never permitted his guest
to halt for more than forty seconds before any work of art. Spode would
have liked to spend a few moments of recollection and tranquillity in
front of some of these lovely things. But it was not permitted.
The gallery done, they passed into a little room leading out of it. At
the sight of what the lights revealed, Spode gasped.
"It's like something out of Balzac," he exclaimed. "Un de ces salons
dorés où se déploie un luxe insolent. You know."
"My nineteenth-century chamber," Badgery explained. "The best thing of
its kind, I flatter myself, outside the State Apartments at Windsor."
Public-domain text, read in full here on John Shaqi.
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