Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories, English
"Let us talk about something else; he ceases to interest me.
"But don't you think we ought to do something about him? He's only got
ten pounds between him and the workhouse. And if you'd seen the
black-beetles in his basement!"
"Enough enough. I'll do everything you think fitting."
"I thought we might get up a subscription amongst lovers of the arts."
"There aren't any," said Badgery.
"No; but there are plenty of people who will subscribe out of snobbism."
"Not unless you give them something for their money."
"That's true. I hadn't thought of that." Spode was silent for a moment.
"We might have a dinner in his honour. The Great Tillotson Banquet.
Doyen of the British Art. A Link with the Past. Can't you see it in the
papers? I'd make a stunt of it in the _World's Review_. That ought to
bring in the snobs."
"And we'll invite a lot of artists and critics--all the ones who can't
stand one another. It will be fun to see them squabbling." Badgery
laughed. Then his face darkened once again. "Still," he added, "it'll
be a very poor second best to my frescoes. You'll stay to dinner, of
course."
"Well, since you suggest it. Thanks very much."
III
The Tillotson Banquet was fixed to take place about three weeks later.
Spode, who had charge of the arrangements, proved himself an excellent
organiser. He secured the big banqueting-room at the Café Bomba, and was
successful in bullying and cajoling the manager into giving fifty
persons dinner at twelve shillings a head, including wine. He sent out
invitations and collected subscriptions. He wrote an article on
Tillotson in the _World's Review_--one of those charming, witty articles
couched in the tone of amused patronage and contempt with which one
speaks of the great men of 1840. Nor did he neglect Tillotson himself.
He used to go to Holloway almost every day to listen to the old man's
endless stories about Asia Minor and the Great Exhibition of '51 and
Benjamin Robert Haydon. He was sincerely sorry for this relic of another
age.
Public-domain text, read in full here on John Shaqi.
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