Mortomley's Estate: A Novel. Vol. 1 (of 3) — John Shaqi
Mortomley's Estate: A Novel. Vol. 1 (of 3)Riddell, J. H., Mrs.
General
Mortomley's Estate: A Novel. Vol. 1 (of 3)
Riddell, J. H., Mrs.
Bankruptcy -- Fiction; England -- Fiction
Properties change hands, titles become extinct; the trade made so
hardly, the money garnered so carefully, pass into other hands. It has
always been thus; it will be thus till the end, and the reasons are not
perhaps far to seek.
If time brings with it ripeness, it brings with it rottenness also; it
brings the mature fruit, but it brings likewise the dead leaf and the
bare brown branches. If it brings the strength of manhood, it brings
sooner or later the weakness of age.
That weakness had fallen on Archibald Mortomley, not because he was old
or because he was by constitution delicate, but merely because he had
carried the traditions of a bygone and romantic age down into one
eminently utilitarian,--because with every condition of existence
changed, he had tried to do as his fathers had done before him,--because
with rogues multiplying on every side as, like caterpillars, they are
certain to do where the land is well planted and fertile, he refused to
believe in the possibility of being brought personally into contact with
them.
Like his progenitors, without a doubt of failure, he, full of generous
impulses and philanthropic feeling, started on his business journey, and
behold, he fell among thieves.
The stage at which he had therefore arrived when we make his
acquaintance was something a hundred times worse than bankruptcy--a
thousand times worse than friendly liquidation by arrangement. Coolly
those about him, with his most innocent concurrence, handed the cards
which dropped from his feeble fingers to his worst enemies, who, under
the guise of friendship, undertook to play out the game for him, and
played it as we shall see.
About a century ago there came up to London the younger son of a
Leicestershire squire, who, having quarrelled with his father, thought
he would see whether the great metropolis might not prove a more genial
parent.
He came up with some money, good looks, the manners of a gentleman, and
that certain quantity of brains which Heaven, since the time of Jacob,
usually inclines, no doubt for good and equitable reasons, to bestow on
the junior members of a family.
In London he was fortunate enough to make the acquaintance of a certain
Philip Gyson, whose ancestors had long and honourably been connected
with the city, and who was about to start a colour works in the then
rural village of Hackney.
Into this works Hildebrand Mortomley--his family had not then lost
either the names or the traditions of those who, having fought on the
losing side for King and Crown, were loyal spite of royal ingratitude,
when the King came to his own again--threw himself, his money, his
energy, and his genius.
For he had genius. First of all he set himself to master his trade. When
he had mastered it, he at once began to reject its crude old-fashioned
formulæ, and invent, and simplify, and improve for himself.
Public-domain text, read in full here on John Shaqi.
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