Mortomley's Estate: A Novel. Vol. 1 (of 3)Riddell, J. H., Mrs.
General
Mortomley's Estate: A Novel. Vol. 1 (of 3)
Riddell, J. H., Mrs.
Bankruptcy -- Fiction; England -- Fiction
When Dolly was married, no girl could have come to a husband with more
economical ideas than she possessed. Poverty and she had been friends
all her life; she had been accustomed to shortness of money, to frugal
fare, to the closest and strictest expenditure from her childhood
upwards, and had Mortomley been wise as he was amiable, she might have
regarded changing a five-pound note with a certain awe and hesitation to
the end of her days.
In money as in other matters, however, she speedily, in that different
atmosphere, lost her head. There can be no greater mistake than to
suppose, because a person has made both ends meet on, say a hundred and
fifty pounds a year, he will be able to manage comfortably on fifteen
hundred; on the contrary, he is nearly certain either to turn miser or
spendthrift. Dolly had not the faintest idea how to deal with a
comfortable income, and as her husband was as incompetent as herself, he
let her have pretty well her own way, which was a very bad way indeed.
Like his wife, perhaps, he thought those legacies represented a great
deal more money than was the case, since money only represents money
according to the way in which it chances to be expended.
It is not in the unclouded noontide, however, when fortune wears its
brightest smiles, that any one dreams of the wild night--the darkness of
despair to follow. It seems to me that the stories we hear of second
sight, of presentiments, of warnings, had a deeper origin than the usual
superstitious fantasies we associate with them. I think they were
originally intended as parables--as prophecies.
I believe the words of dark import were designed to convey to the
man--prosperous, victorious--safe in the security of his undiscovered
sins, the same lesson that Nathan's final sentence, "Thou art the Man,"
conveyed in _his_ hour of fancied safety to the heart of David. I
believe under the disguise of a thrice-told tale, those inscrutable
warnings of which we hear, arresting a man in the middle of a
questionable story or a peal of drunken laughter, were meant to be as
truly writings on the wall as ever silenced the merriment in
Belshazzar's halls--as certainly prophecies as that dream which
prefigured Nebuchadnezzar's madness.
And there was a time when portents, prophecies, and parables did
influence men for good, did turn them from the evil, did turn their
thoughts from earth to heaven, but that was in the days when people
having time to think--thought; when sometimes alone, separate from their
fellow-creatures, able to forget for a period the world and its
requirements, they were free to think of that which, spite of a learned
divine's dictum, is more wonderful and more bewildering than
eternity--the soul of man--the object of his creation, the use and
reason and purpose of his ever having been made in God's image to walk
erect upon the earth.
Public-domain text, read in full here on John Shaqi.
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