The GOLDEN AGE was first, when man, yet new,
No rule but uncorrupted reason knew,
And, with a native bent, did good pursue.
Unforced by punishment, unawed by fear.
His words were simple and his soul sincere;
Needless were written laws where none oppressed;
The law of man was written on his breast.
No suppliant crowds before the judge appeared,
No court erected yet, nor cause was heard,
But all was safe, for conscience was their guard.
No walls were yet, nor fence, nor moat, nor mound;
Nor drum was heard, nor trumpet's angry sound;
Nor swords were forged; but, void of care and crime,
The soft creation slept away their time.
The teeming earth, yet guiltless of the plough,
And unprovoked, did fruitful stores allow;
The flowers, unsown, in fields and meadows reigned,
And western winds immortal spring maintained.
The next; or the Silver Age, was marked by the change of seasons,
and the division and cultivation of lands.
Succeeding times a SILVER AGE behold,
Excelling brass, but more excelled by gold.
Then summer, autumn, winter did appear,
And spring was but a season of the year;
The sun his annual course obliquely made,
Good days contracted, and enlarged the bad.
Then air with sultry heats began to glow,
The wings of wind were clogged with ice and snow;
And shivering mortals, into houses driven,
Sought shelter from the inclemency of heaven.
Those houses then were caves or homely sheds,
With twining osiers fenced, and moss their beds.
Then ploughs for seed the fruitful furrows broke,
And oxen labored first beneath the yoke.
Then followed the Brazen Age, which was an epoch of war and
violence.
To this came next in course the BRAZEN AGE;
A warlike offspring, prompt to bloody rage,
Not impious yet.
According to He'siod, the next age is the Heroic, in which the
world began to aspire toward better things; but OVID omits this
altogether, and gives, as the fourth and last, the Iron Age, also
called the Plutonian Age, full of all sorts of hardships and
wickedness. His description of it is as follows:
Public-domain text, read in full here on John Shaqi.
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