Moth and Rust; Together with Geoffrey's Wife and The PitfallCholmondeley, Mary
General
Moth and Rust; Together with Geoffrey's Wife and The Pitfall
Cholmondeley, Mary
Fiction
There was a portrait of Janet in the Academy several years later, which
has made her beauty known to the world. We have all seen that celebrated
picture of the calm Madonna face, with the mark of suffering so plainly
stamped upon the white brow and in the unfathomable eyes. But the young
girl sitting in the Easthope pew hardly resembled, except in feature,
the portrait that, later on, took the artistic world by storm. Janet was
perhaps even more beautiful in this her first youth than her picture
proved her afterwards to be; but the beauty was expressionless, opaque.
The soul had not yet illumined the fair face. She looked what she was--a
little dull, without a grain of imagination. Was it the dulness of want
of ability, or only the dulness of an uneducated mind, of powers unused,
still dormant?
Without her transcendent beauty she would have appeared uninteresting
and commonplace.
"Lay not up for yourselves treasures upon earth."
The Vicar had a habit of repeating his text several times in the course
of his sermon. Janet heard it the third time, and it forced the entrance
of her mind.
Her treasure was certainly on earth. It consisted of the heavy,
sleek-haired young man with the sunburnt complexion and the reddish
moustache at the end of the pew--in short, "the Squire."
After a short and ardent courtship she had accepted him, and then she
herself had been accepted, not without groans, by his family. The groans
had not been audible, but she was vaguely aware that she was not
received with enthusiasm by the family of her hero, her wonderful fairy
prince who had ridden into her life on a golden chestnut. George
Trefusis was heavily built, but in Janet's eyes he was slender. His
taciturn dulness was in her eyes a most dignified and becoming reserve.
His inveterate unsociability proved to her--not that it needed
proving--his mental superiority. She could not be surprised at the
coldness of her reception as his betrothed, for she acutely felt her own
great unworthiness of being the consort of this resplendent personage,
who could have married any one. Why had he honoured her among all
women?
The answer was sufficiently obvious to every one except herself. The
fairy prince had fallen heavily in love with her beauty; so heavily
that, after a secret but stubborn resistance, he had been vanquished by
it. Marry her he must and would, whatever his mother might say. And she
had said a good deal. She had not kept silence.
And now Janet was staying for the first time at Easthope, which was one
day to be her home--the old Tudor house standing among its terraced
gardens, which had belonged to a Trefusis since a Trefusis built it in
Henry the Seventh's time.
CHAPTER II
"On peut choisir ses amitiés, mais on subit l'amour."
--PRINCESS KARADJA.
Public-domain text, read in full here on John Shaqi.
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