"Wealth protects and animates art and literature, as the dew enlivens the fields." Nonsense! Wealth animates art and literature, as the whistle of the master animates the dog and makes him wag his tail. THE MODERN NEWSPAPER. Let me describe to you, very briefly, a newspaper day. Figure first, then, a hastily erected, and still more hastily designed, building in a dirty, paper-littered back street of London, and a number of shabbily dressed men coming and going in this with projectile swiftness. Within this factory companies of printers, tensely active with nimble fingers--they were always speeding up the printers--ply their typesetting machines, and cast and arrange masses of metal in a sort of kitchen inferno, above which, in a beehive of little, brightly lit rooms, disheveled men sit and scribble. There is a throbbing of telephones and a clicking of telegraph instruments, a rushing of messengers, a running to and fro of heated men, clutching proofs and copy. Then begins a roar of machinery catching the infection, going faster and faster, and whizzing and banging. Engineers, who have never had time to wash since their birth, fly about with oil cans, while paper runs off its rolls with a shudder of haste. The proprietor you must suppose arriving explosively on a swift motor car, leaping out before the thing is at a standstill, with letters and documents clutched in his hand, rushing in, resolute to "hustle," getting wonderfully in everybody's way. At the sight of him even the messenger boys who are waiting get up and scamper to and fro. Sprinkle your vision with collisions, curses, incoherencies. You imagine all the parts of this complex, lunatic machine working hysterically toward a crescendo of haste and excitement as the night wears on. At last, the only things that seem to travel slowly in those tearing, vibrating premises, are the hands of the clock. Slowly things draw on toward publication, the consummation of all those stresses. Then, in the small hours, in the now dark and deserted streets comes a wild whirl of carts and men, the place spurts paper at every door; bales, heaps, torrents of papers, that are snatched and flung about in what looks like a free fight, and off with a rush and clatter east, west, north and south. The interest passes outwardly; the men from the little rooms are going homeward, the printers disperse, yawning, the roaring presses slacken. The paper exists. Distribution follows manufacture, and we follow the bundles.