France -- Social life and customs -- Fiction; Short stories, French -- Translations into English
The worthy Duke found no interests except in works of philanthropy. He
laboured ardently to secure new constitutional forms to the kingdom. As
a representative peer in the National Assembly he took his seat in the
ranks of those admirers of English liberty who were styled monarchical,
by the side of Malouet and Stanislas de Clermont-Tonnerre. And although
his party appeared even then defeated, he awaited with all the fervour
of indomitable hope the oncoming of revolution in its most humane
aspect. We shared his aspirations.
Despite numerous causes for uneasiness, we continued during the
following year to be upheld by this enthusiasm. I accompanied Monsieur
Mille to the Champ de Mars at the beginning of July. On this spot two
hundred thousand persons of all ranks—men, women, children—were erecting
with their own hands the altar upon which all were to swear that they
would live free, or, if needs must, die free. Wig-makers in bluejackets,
water-carriers, abbés, coal-heavers, capuchins, opera-singers in
brocaded dresses with ribbons and feathers in their hair, all these side
by side delved the sacred soil of their country. What an object-lesson
in fraternity! We saw Monsieur Sieyès and Monsieur de Beauharnais
trundling the same cart; we saw Father Gérard, passing like an ancient
Roman from the Senate to the plough, wielding the spade and preparing
the ground; we saw an entire family at work in the same spot—the father
digging, the mother filling the wheelbarrow, and the children pushing it
turn and turn about, whilst the youngest, only four years of age, borne
in the arms of his grandfather aged ninety-three, lisped out: “_Ah! ça
ira! ça ira!_” We saw the Society of Journeymen Gardeners marching in
procession with lettuces and daisies attached to the ends of their
spades. Several other corporations followed them, preceded by a band:
the Printers, whose banner bore this inscription: _Printing, foremost
ensign of Liberty._ Then the Butchers: upon their standard was painted a
large knife, with these words: _Tremble, aristocrats! Behold the
Journeymen Butchers._
And even this took on the appearance for us of fraternity.
“Aubier, my friend, my brother,” exclaimed Monsieur Mille, “I am fired
with poetical enthusiasm. I am about to compose an ode which shall be
dedicated to you. Listen:—
Friend, behold the concourse grand,
From far and wide assembled there,
The mainstays of our own loved land,
Whose banners proudly take the air:
Love it is directs their path
Toward the patriot altar-fires,
Each his bounden service hath
Vowed, till Life’s last flame expires.”[8]
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Footnote 8:
Public-domain text, read in full here on John Shaqi.
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