Motherly talks with young housekeepers: embracing eighty-seven brief articles on topics of home interest, and about five hundred choice receipts for cooking, etc.Beecher, H. W., Mrs.
General
Motherly talks with young housekeepers: embracing eighty-seven brief articles on topics of home interest, and about five hundred choice receipts for cooking, etc.
Beecher, H. W., Mrs.
Cooking; Home economics
White, black, a very little yellow, orange, straw, or stone color, may
either of them be used in the trimmings of a light blue bonnet with
good effects; but not if there are pink or purple flowers on it, as
these colors mingled with blue are unsuitable. The colors to be used
carefully or avoided altogether, with fair complexions, are yellow,
orange, red, and purple. The light shades of lilac may be sometimes
used; but it is very trying, and must always, if used, be separated
from the flesh by an edging of tulle or some similar trimming, or be
associated with its harmonizing colors, cherry, scarlet, light crimson,
or gold color, and then they will in part overcome the bad effects; but
green and lilac should never be coupled, as it will form a positive
discord. A very little light purple is agreeable for a head-dress on
light hair, but must be placed near the skin.
Neutral colors, if not too dark, accord well with fair blondes; gray,
fawn, drab, and some few shades of brown are the best. Black is good
for the fair blonde who has some healthy color, because it increases
the _rose_ in the complexion; but it is bad for pale skins, as it
bleaches them by the painful contrast. No delicate color can be blended
with black without seeming of a _lighter tone_. Unless used for
mourning, black must be mingled with either blue, cherry, mulberry,
drab, or lilac, to remove the somber effects; but cherry and lilac must
be used sparingly. Red must not be used at all with black for fair
blondes, as it gives a rusty tinge. White is suitable with black, if
some other color is added; otherwise it is too cold. A black bonnet
looks well with a fair complexion, but a little white and rose-color
should be added, keeping the rose away from the skin. White is pleasant
for all complexions, but more so with the fair blonde who has some
color than for any other. Bright colors with white bonnet may be added,
but must be kept low, and well grouped. White increases the paleness
of a pale skin, but this effect may be neutralized by a blue or green
wreath brought well on the face.
The _ruddy blonde_ has a full-toned complexion, inclining to positive
rose-red or carnation; dark blue or brown eyes, blonde and brown
hair. All the colors suitable for the fair are generally suitable for
the ruddy blonde, but the tones and in some cases the hues must be
changed. As a rule this type may use more freedom in the selection of
colors than the fair; her complexion, not being so delicate, is less
sensitive. The hair being the medium between gold and black, and the
complexion higher toned and more positive, rich and moderately dark
colors may be used.
Public-domain text, read in full here on John Shaqi.
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