1200-1400[1] Great prehistoric city grows and thrives on banks of
Warrior River, West-Central Alabama.
1500[1] City deserted.
1897 Town of Carthage, white settlement at site of deserted
city, renamed Moundville because of numerous Indian
mounds within its limits.
1905-1906 First archaeological excavations made at Moundville by
Clarence B. Moore of the Philadelphia Academy of
Natural Sciences.
1923 Moundville Historical Society organized to arouse
interest in preservation of mounds. Mrs. Jeff Powers,
Jr., President.
1929 Alabama Museum of Natural History begins
archaeological investigations at Moundville after
purchasing 175 acres which include most of the 40
mounds in that area.
1933 Mound State Park established with the aid of the
Federal Emergency Conservation Work Agency.
1935 Temporary museum building constructed at Mound State
Park.
1938-39 Alabama Museum purchases additional land, enlarging
Mound State Park to 301 acres which includes all the
mounds in the area.
1938 Mound State Park renamed Mound State Monument.
Civilian Conservation Corps, directed by National Park
Service and the Alabama Museum of Natural History,
begins large-scale development of area.
1939 May 10, New Archaeological Museum dedicated.
1947 September 24, Dedication of Laboratory Unit of Erskine
Ramsay Archaeological Research Center.
1949 Completion of Picnic Building: Memorial to Nelson
Jones.
[1]Approximate dates.
MOUND STATE MONUMENT
• _OPEN ALL YEAR_ •
[Illustration: Museum building]
_A blisful lyf, a paisible and a swete, Ledden the peples in the
former age_
—_Chaucer, Former Age, line 2_
The Black Warrior River winds slowly among the rolling southern
foothills. On the banks of this river many centuries ago there
flourished a great Indian metropolis. Here dwelt a pleasant and
contented people whose story is not of warring braves but of peaceful
artisans. Theirs were days not of strife and treachery, but of quiet
toil and worship. These people, given to pottery-making and the building
of fine temples, have vanished long ago. The eloquence of their
handiwork endures. Their pottery, lodged in the muddy earth, emerges as
fresh proof that “a thing of beauty is a joy forever”. Their temples,
decayed these many years, are yet in evidence, for the pyramidal
substructures of these temples—earth mounds of imposing size and
number—remain.
Public-domain text, read in full here on John Shaqi.
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