WASTED BEAUTIES
VII
WASTED BEAUTIES
1
Under the grey skies and the disheartening rains of this autumnal July,
I think of the light which I have left behind me. I have left it down
there, on the now empty shores of the Mediterranean, and I ask myself
in vain why I parted from it. Yet I was one of the last to tear myself
away. All the others leave in the early days of April, recalled by
legendary memories of the deceitful spring-tides of the north, nor do
they realize that they are losing a great happiness.
It is good, it is wise to escape, amid the blue of sea and sky, the
icy months of our winters, dismal as punishment; but, although in the
south these months are warmer and above all more luminous than ours,
they do not quite make up to us for the darkness and the frost of our
native climes. The brightest and warmest hours, in spite of all,
retain an after-taste of cloud and snow; they are beautiful, but timid;
swiftly and fearfully they hasten towards the night. Now man, who is
born of the sun, like all things, has need of his hereditary portion of
primitive heat and all-pervading light. He has within him numberless
deep-seated cells which retain the memory of the resplendent days of
the prime and become unhappy when they cannot reap their harvest of
rays. Man can live in the gloom, but at long last he loses the smile
and the confidence that are so essential. Because of our twilit summers
it becomes indispensable to restore the balance between darkness and
light and sometimes to drive away, by superb excesses of sunshine, the
cold and the dark that invade our very souls.
2
It reigns at a few hours’ distance from us, the incomparable steady sun
which we no longer see. Those who leave before mid-June do not know
what happens when they are gone. Lo and behold, the real actors in this
wonderful fairyland spring up on every side as though they had been
awaiting the departure of intruding and mocking witnesses. During the
winter, in the presence of the official visitors, they have played but
a tempered prologue, a little colourless, a little slow, a little timid
and restrained. But now of a sudden the great lyrical acts blaze forth
upon the intoxicated earth.
Public-domain text, read in full here on John Shaqi.
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