Here, on another side, are some rather strange caterpillars, the Processionaries, which are not rare; as it happens, a single string of them, five or six yards long, has just climbed down from my umbrella-pines and is at this moment unfolding itself in the walks of my garden, carpeting the ground traversed with transparent silk, according to the custom of the race. To say nothing of the meteorological apparatus of unparalleled delicacy which they carry on their backs, these caterpillars, as everybody knows, have this remarkable quality, that they travel only in a troop, one after the other, like Breughel’s blind men or those of the parable, each of them obstinately, indissolubly following its leader; so much so that, our author having one morning disposed the file on the edge of a large stone vase, thus closing the circuit, for seven whole days, during an atrocious week, amid cold, hunger and unspeakable weariness, the unhappy troop on its tragic round, without rest, respite or mercy, pursued the pitiless circle until death overtook it. 5 But I see that our heroes are infinitely too numerous and that we must not linger over our descriptions. We may at most, in enumerating the more important and familiar, bestow on each of them a hurried epithet, in the manner of old Homer. Shall I mention, for instance, the Leucospis, a parasite of the Mason-bee, who, to slay his brothers and sisters in their cradle, arms himself with a horn helmet and a barbed breastplate, which he doffs immediately after the extermination, the safeguard of a hideous right of primogeniture? Shall I tell of the marvellous anatomical knowledge of the Tachytes, of the Cerceris, of the Ammophila, of the Languedocian Sphex and many other wasps, who, according as they wish to paralyse or to kill their prey or their adversary, know exactly, without ever blundering, which nerve-centres to strike with their sting or their mandibles? Shall I speak of the art of the Eumenes, who transforms her stronghold into a complete museum adorned with shells and with grains of translucent quartz; of the magnificent metamorphosis of the Grey Locust; of the musical instrument owned by the Cricket, whose bow numbers one hundred and fifty triangular prisms that set in motion simultaneously the four dulcimers of the wing-case? Shall I sing the fairy-like birth of the nymph of the Onthophagus, a transparent monster, with a bull’s snout, that seems carved out of a block of crystal? Would you behold the Flesh-fly, the common Blue-bottle, daughter of the maggot, as she issues from the earth? Listen to our author: