Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printing — John Shaqi
Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printingMoxon, Joseph
History
Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printing
Moxon, Joseph
Printing -- Early works to 1800
The first volume of the “Mechanick Exercises,” concerning carpentry,
etc., went to its third edition in 1703, but the second volume, about
printing, has been neglected for two centuries. During this long
interval many copies of the first small edition of five hundred copies
have been destroyed. A perfect copy is rare, and commands a high price,
for no early book on technical printing is in greater request.[7]
The instruction directly given is of value, but bits of information
indirectly furnished are of greater interest. From no other book can
one glean so many evidences of the poverty of the old printing-house.
Its scant supply of types, its shackly hand-presses, its mean
printing-inks, its paper-windows and awkward methods, when not
specifically confessed, are plainly indicated. The high standard of
proof-reading here exacted may be profitably contrasted with its
sorry performance upon the following pages. The garments worn by the
workmen are shown in the illustrations. Some of the quainter usages
of the trade are told in the “Customs of the Chappel,” and those of
the masters, in the ceremonies of the Stationers’ Company, and in
the festivals in which masters and workmen joined. To the student
of printing a reading of the book is really necessary for a clear
understanding of the mechanical side of the art as practised in the
seventeenth century.
NOTE BY THE PRINTER
This edition of the “Mechanick Exercises” is a line-for-line and
page-for-page reprint of the original text. The only suppression is
that of the repetition of the words “Volume II” in the running title
and the sub-titles, which would unnecessarily mislead the reader,
and of the old signature marks that would confuse the bookbinder.
Typographic peculiarities have been followed, even to the copying of
gross faults, like doublets, that will be readily corrected by the
reader. The object of the reprint is not merely to present the thought
of the author, but to illustrate the typographic style of his time
with its usual defects. A few deviations from copy that seemed to be
needed for a clearer understanding of the meaning of the author have
been specified at the end of the second volume. The irregular spelling
and punctuation of the copy, its capricious use of capitals and
italic, its headings of different sizes of type, have been repeated.
At this point imitation has stopped. Turned and broken letters, wrong
font characters, broken space-lines, and bent rules have not been
servilely reproduced. These blemishes, as well as the frequent “monks”
and “friars” in the presswork, were serious enough to prevent an
attempt at a photographic facsimile of the pages.
Public-domain text, read in full here on John Shaqi.
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