“But, father,” replied Wolfgang, tearfully, “it does not require much
skill to play the second violin.”
“Silly child; your head must be a little turned or you would not talk
such nonsense,” replied his father, at last really vexed, for he thought
his son’s remark was disrespectful to his friends, Schachtner and
Wenzel. “Go away, and don’t annoy us any longer. You need not fancy you
know everything because the good God has given you a little skill. That
is childish folly, and you must quit it. Remember that.”
Wolfgang was so overcome by the harsh reproof of his father, who was
usually so kind to him, that the tears came into his eyes, and he nearly
cried out loud. He sadly took his violin under his arm, and was about to
slip away, when just at the right time his friends interposed in his
behalf.
“Let him stay, Herr Vice Chapelmaster,” said Schachtner, “and play with
us a little. If he does not make it go, it will be time then to stop
him.”
“Well,” replied Father Mozart, graciously,—for in reality it had greatly
pained him to be harsh with his darling,—“you can play with Herr
Schachtner, but play softly, so that we shall not hear your scraping,
and don’t howl if any one says a word to you. Come here and play, but,
as I said, play softly.”
At these words sorrow disappeared instantly from Wolfgang’s countenance,
and in its place came a look of intense satisfaction. He wiped away his
tears with his sleeve, took his place by Herr Schachtner, and the
playing began.
The piece was not very easy. Herr Schachtner himself had to give his
whole mind to it, and followed it at first with such close attention
that he entirely forgot his little associate. But soon he heard such a
clear, pure tone at his side that he listened with surprise, and watched
Wolfgang with the utmost astonishment. The child played with an
accuracy, precision, and purity which seemed to him inspired. Delight
and satisfaction were pictured in his joyous manner and beaming eyes.
Herr Schachtner could hardly believe his senses. He played more and more
softly, so as not to lose a tone of Wolfgang’s violin, and after a
little stopped entirely, dropped his arms, and gave Wolfgang’s father a
significant look.
Public-domain text, read in full here on John Shaqi.
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