Wolfgang in the meantime awaited his hard task with a serenity which
would have appeared foolhardy had he not been sure of his ability to
overcome the greatest difficulties without much exertion. The gifted boy
had not passed his leisure days at Salzburg in idleness. He had
resolutely and industriously devoted them to the study of his art, both
practically and theoretically. He had thoroughly analyzed the
compositions of such great masters as Stradella, Scarlatti, Durante,
Hasse, Bach, Handel, and others, and counterpoint had no difficulties
for him. Knowing that he was well equipped, he eagerly awaited his test,
anticipating it with impatience rather than with anxiety. It was the
height of his ambition to show the world that he was a recognized master
of music, and thus secure the friendship and esteem of Padre Martini,
whom the Italians almost worshipped, and whose judgment on all musical
questions was all-important because it was absolutely decisive.
On the day fixed for the test the cultivated people of Bologna were all
astir. A great crowd gathered in front of the large and elegant building
where the Accademia Filarmonica held its sessions, and waited with
intense eagerness for the result of the test. The public were not
allowed to enter the building, but awaited the news of the victory or
defeat of a candidate, which was announced from a balcony. This was the
old-time custom. The people already knew and admired young Mozart, for
he had roused their enthusiasm by his wonderful playing in his concerts,
and when he made his appearance about one o’clock that afternoon at the
hall, an enthusiastic “Evviva” welcomed him on all sides. His frank,
handsome face showed no trace of anxiety or doubt; on the contrary, he
mingled with the people as freely and with as much unconcern as if the
coming hours did not affect his interests, his honor, his fame, and his
future, all of which were at stake. Should he fail, his artistic career
would be at an end, and the laurels he had won would be of no more value
than heaps of dust and ashes. He might be assigned a fair place in the
ranks of artists, but no one would concede him any higher position.
Knowing all this, Wolfgang was calm when he appeared with his father,
whose face wore an anxious look, in the hall of the Academy. Padre
Martini, Farinelli, and all the other members at that time in Bologna,
most of them old and famous chapelmasters and composers, were already
assembled there. They received the boy in a dignified manner. It was a
solemn moment. Father Mozart’s heart beat with secret fear and his limbs
trembled, as he stood before the stern and stately judges of his son.
Wolfgang, however, was undisturbed as he looked at their array, but he
displayed no sign of overconfidence.
Public-domain text, read in full here on John Shaqi.
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