Social Washington courted Miss Townsend—partly because she was well worth courting, partly because she rather despised it, not a little because, when she did offer hospitality, her “parties” were the pleasantest functions that ever came the capital’s way. You couldn’t “drop in” on Miss Julia—no matter who you were or why you came. Her kitchen door was always on the latch. Her front door was guarded stiffly. Into no function of hers could you penetrate casually. You were hopelessly debarred unless she had sent you “a card” of invitation—which was a card only in name. She invariably wrote the “cards” herself, in her fine spidery hand, on sheets of cream-smooth, velvet-thick paper, scorning the modernity of engraved invitations. If she consented to receive you at all, she paid you the compliment of telling you so in her own handwriting, which not only saved the expense of engraving, and seemed to her more befitting her dignity, but filled considerable time for her with an occupation she much enjoyed. Her hair-line handwriting was peculiarly beautiful, and she delighted both in producing it and in displaying it. Julia Townsend had many vanities. But they all were innocent ones, and womanly. And, if her avoidance of engraved “At Home” cards was one of her many economies, it was (and her others were not) an accidental one. And her note-paper was a proud extravagance. Only the best paper was good enough, she thought, to record the honor of an invitation accorded from Rosehill, or to be embellished with such beautiful writing as hers.