ostrich feather compliment. And winter or summer, she wore uncompromisingly thick, stout leather boots—but they were well cut and with heels as high as a fashionable girl’s. She always took her program home with her. She had volumes and volumes bound in limp morocco. She often spoke of them—and sometimes she sent Lysander to purchase a piano score of some “morceau” that had charmed her, or that she thought had. But, to her credit, she never attempted their execution on her own yellow-keyed harpsichord. She “liked to have them, to think them over.” Her own greatly favorite musical compositions were “The Maiden’s Prayer” and “Her Bright Smile Haunts Me Still.” She played them both tenderly—if not too brilliantly. And “Dixie” was her anthem. The day was perfect. The Potomac ran a “changeable-silk” glitter of blue and gold. The sky, as blue as the river, was soft and fluffed with billows of snowy clouds. The grass was almost as smooth and green as a well-kept English lawn, and the old red house was a-nod with roses, its very bricks fragrant from the magnolias nailed there. Great beds of mignonette cut great swathes of gray through the green of the grass, and lay like soft, thick rugs at the edge of the house. Miss Julia, wearing a befrilled cream organdie delicately printed with pink wild-roses and forget-me-nots more turquoise-tinted than growing forget-me-nots ever are, stood under the giant juniper tree receiving her bidden guests. The frills of her full gown were narrowly edged with lace, and she wore Madame Washington’s brooch, pinning her befrilled organdie fichu; but the collar and heirloom of super rose-point was laid away in its tissue and lavender. To-day she wore brightly beaded bronze slippers, very high-heeled, pointed-toed. At home she never wore boots; beyond her gates she never wore anything else. A pair of shoes she did not own, and never had. She wore many valuable rings and black lace mitts on her fine white hands, and held in her right hand a valuable lace handkerchief, which nothing would have induced her to use for the purpose for which handkerchiefs are supposed to be made and bought. It had been “in the family” for six generations, and it had never been _used_. In her other hand she carried a tortoise-shell lorgnette which she never used either, for she had no need to—her sight still was perfectly good—and Julia Townsend was about the last woman in the world to affect an infirmity that did not afflict her. She had considerable manner, but no affectations. Her manner, always elegant, sometimes more than a little starched, was not a pose. Her manner was she, and belonged to her as legitimately as did the many good clothes she had inherited, as she had it, with birthright from several generations of Virginia ancestors. She also carried in her left hand an exceptionally fine, long-stemmed, very fragrant rose, which she sniffed frequently. If she shook hands with a guest, the lace handkerchief went for the moment to