Capitalists and financiers -- Fiction; Great Britain -- Politics and government -- Fiction; Political fiction
The house itself had been raised with businesslike rapidity under the
directions of Mrs. Clutterbuck herself, who had the wisdom to employ
in all but the smallest details, an architect recommended by the Rev.
Isaac Fowle.
The whole was in the taste which the sound domestic sense of modern
England has substituted for the gloomy stucco and false Italian loggias
of our fathers. The first storey was of red brick which time would
mellow to a glorious and harmonious colour; the second was covered
with roughcast, while the third and fourth appeared as dormer windows
in an ample roof containing no less than fifteen gables. The chimneys
were astonishingly perfect examples of Somersetshire heading, and
the woodwork, which was applied in thin strips outside the main
walls of the building, was designed in the Cheshire fashion, with
draw-pins, tholes and spring-heads tinctured to a sober brown. The oak
was imported from the distant Baltic and strengthened with iron as a
precaution against the gape and the warp.
The glass, which was separate from the house and stood in a great dome
and tunnel higher up on the hillside where it sheltered the Victoria
Regia, the tobacco plant, the curious and carnivorous _Hepteryx
Rawlinsonia_, the palm and the common vine. A lodge guarded both
the northern and the southern entrances and a considerable approach
swept up past the two greyhounds which dignified the cast-iron gates;
themselves a copy, upon a smaller scale, of the more famous Guardini's
at Bensington, while the main door was of pure elm studded with one
hundred and fifty-three large nails. The rooms within were heated not
only by fireplaces of exquisite decoration, but also secretly by pipes
which ran beneath the floors and had this inconvenience, that the
captious, withdrawing from the fierceness of the blaze to some distant
margin of the apartment, would marvel at the suffocating heat which
struck them in the chance corner of their retirement.
Of the numerous bath-rooms fitted in copper and Dutch tiles, of the
chapel, the vesting chamber and the great number of bedrooms--many
with dressing-rooms attached--I need not speak.
The stables were connected with the mansion by a covered way, which
the guests could use in all weathers when there was occasion to visit
the stables and to admire Aster, West Wind, Cœur de Lion, Ex Calibur,
Abde-el-Kader, and the little pink pony, Pompey, which was permanently
lame, but had caught Mrs. Clutterbuck's eye at Lady Moreton's sale, and
had cost no less than 250 guineas.
"The Plâs" was the simple name suggested somewhat later by Charlie
Fitzgerald, but for the moment Mr. and Mrs. Clutterbuck, well
acquainted with the hesitation of all cultured people to adopt
pretentious names for their residences, were content to leave it
unchristened, and to allude to it among their acquaintance by nothing
more particular than the beautiful title of "Home."
Public-domain text, read in full here on John Shaqi.
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