After my patron's departure I worked for a while in the laboratory; and an
hour before dinner I went for a stroll in the park, making, for no reason
in particular, toward the principal entrance. As I neared it I heard
voices in dispute, and on reaching the gates I found the lodge-keeper
engaged in a somewhat warm altercation with an Italian organ-grinder and
another fellow of the same kidney, who seemed to be his companion.
The lodge-keepers had strict orders to exclude from the park all beggars
without exception, and all and sundry who produced music by turning a
handle. Real musicians, however, were freely admitted, and often
generously rewarded.
The lodge-keeper in question (an old fellow with a wooden leg) had not
been able to make the two vagabonds in question understand this. They
insisted on coming in, and the lodge-keeper said that if I had not
appeared he verily believed they would have entered in spite of him. They
seemed to know very little English; but as I knew a little Italian, which
I eked out with a few significant gestures, I speedily enlightened them,
and they sheered off, looking daggers, and muttering what sounded like
curses.
The man who carried the organ was of the usual type--short, thick-set,
hairy, and unwashed. His companion, rather to my surprise, was just the
reverse--tall, shapely, well set up, and comparatively well clad; and with
his dark eyes, black mustache, broad-brimmed hat, and red tie loosely
knotted round his brawny throat, he looked decidedly picturesque.
On the following day, as I was going to the stables (which were a few
hundred yards below the house) I found my picturesque Italian in the back
garden, singing a barcarole to the accompaniment of a guitar. But as he
had complied with the condition of which I had informed him, I made no
objection. So far from that I gave him a shilling, and as the maids (who
were greatly taken with his appearance) got up a collection for him and
gave him a feed, he did not do badly.
A few days later, while out riding, I called at the station for an evening
paper, and there he was again, "touching his guitar," and singing
something that sounded very sentimental.
"That fellow is like a bad shilling," I said to one of the
porters--"always turning up."
"He is never away. I think he must have taken it into his head to live
here."
"What does he do?"
"Oh, he just hangs about, and watches the trains, as if he had never seen
any before. I suppose there are none in the country he comes from. Between
whiles he sometimes plays on his banjo and sings a bit for us. I cannot
quite make him out; but as he is very quiet and well-behaved, and never
interferes with nobody, it is no business of mine."
Neither was it any business of mine; so after buying my paper I dismissed
the subject from my mind and rode on to Kingscote.
Public-domain text, read in full here on John Shaqi.
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