Husband and wife -- Fiction; Man-woman relationships -- Fiction; Rich people -- Fiction; Triangles (Interpersonal relations) -- Fiction
When Mazzantini loosed his hold, he stood a moment, folded his arms,
gave the bull a glance of contempt, turned on his heel and sauntered
away. The applause was such as no _cabotin_ has ever received. It was
the delirious plaudits of ten thousand people drunk with the sun,
with excitement--intoxicated with blood. Mazzantini bowed as calmly
as were he a tenor, whose _ut de poitrine_ had found appreciation in
the stalls. And while the applause still lasted, the bull caught the
staggering, blindfolded, unprotected horse and tossed him sheer over
the barrier, and would have jumped after him had he not perceived a
fourth picador ambling cautiously with pointed lance. At him he made
a fresh rush, but the picador’s lance was in his neck and held him
away. He broke loose, however, and with an under lunge disemboweled the
shuddering horse.
There was another blast of the trumpets, the signal for the
banderilleros whose office it is to plant barbs in the neck of the
bull--a delicate operation, for the banderillero must face the bull,
and should he trip he is dead. This ceremony is seldom performed until
the bull shows signs of weariness; then the barbs act like a tonic. In
this instance the bull seemed as fresh as were he on his native heath,
and the spectators were clamorous in their indignation. They called
for more horses; they accused the management of economy; men stood up
and shook their fists at the President; it was for him to order out
fresh steeds, and, as he sat impassible, _pollice verso_, as one may
say, they shouted “_Fuego al presidente, perro de presidente_”--dog of
a president; set him on fire. And there were cat-calls and the screech
of tin horns, and resounding and noisy insults, until the general
attention was diverted by the pose of the banderillas and the leaping
and kicking of the bull, seeking to free his neck from the torturing
barbs. At last, when he had been punctured eight times, he sought the
centre of the ring, and stood there almost motionless, his tufted tail
swaying nervously, his tongue lolling from his mouth, a mist of vapor
circling from his nostrils, seething about his splendid horns and
wrinkled neck, and in his great eyes a look of wonder, as though amazed
that men could be crueler than he.
Again the trumpets sounded. Mazzantini, with a sword concealed in
a muleta of bright scarlet silk, and accompanied by the chulos,
approached him. The chulos flaunted their vivid cloaks, and when the
bull, roused by the hated colors to new indignation, turned to chase
them, they slipped aside and in the centre of the ring stood a young
man dressed as airily as a dancer in a ballet, in a costume that a pin
would have perforated, and before him a maddened and a gigantic brute.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account