American fiction -- 19th century; Short stories; Western stories
The wonder was so apparent in her eyes that his keen glance softened.
“Why,” she said bewilderingly, “I have been his dog, his slave,--as far
as he would let me. I have done everything; I have not been out of the
house until he almost drove me out. I have never wanted to go anywhere
or see any one; but he has always insisted upon it. I would have been
willing to slave here, day and night, and have been happy. But he said
I must not seem to be ashamed of my past, when he is not. I would have
worn common homespun clothes and calico frocks, and been glad of it, but
he insists upon my wearing my best things, even my theatre things; and
as he can't afford to buy more, I wear these things I had. I know they
look beastly here, and that I'm a laughing-stock, and when I go out
I wear almost anything to try and hide them; but,” her lip quivered
dangerously again, “he wants me to do it, and it pleases him.”
Jack looked down. After a pause he lifted his lashes towards her
draggled skirt, and said in an easier, conversational tone, “Yes! I
thought I knew that dress. I gave it to you for that walking scene in
'High Life,' didn't I?”
“No,” she said quickly, “it was the blue one with silver
trimming,--don't you remember? I tried to turn it the first year I was
married, but it never looked the same.”
“It was sweetly pretty,” said Jack encouragingly, “and with that blue
hat lined with silver, it was just fetching! Somehow I don't quite
remember this one,” and he looked at it critically.
“I had it at the races in '58, and that supper Judge Boompointer gave us
at 'Frisco where Colonel Fish upset the table trying to get at Jim. Do
you know,” she said, with a little laugh, “it's got the stains of the
champagne on it yet; it never would come off. See!” and she held the
candle with great animation to the breadth of silk before her.
“And there's more of it on the sleeve,” said Jack; “isn't there?”
Mrs. Rylands looked reproachfully at Jack.
“That isn't champagne; don't you know what it is?”
“No!”
“It's blood,” she said gravely; “when that Mexican cut poor Ned so
bad,--don't you remember? I held his head upon my arm while you bandaged
him.” She heaved a little sigh, and then added, with a faint laugh,
“That's the worst thing about the clothes of a girl in the profession,
they get spoiled or stained before they wear out.”
This large truth did not seem to impress Mr. Hamlin. “Why did you leave
Santa Clara?” he said abruptly, in his previous critical tone.
“Because of the folks there. They were standoffish and ugly. You see,
Josh”--
“Who?”
“Josh Rylands!--HIM! He told everybody who I was, even those who had
never seen me in the bills,--how good I was to marry him, how he had
faith in me and wasn't ashamed,--until they didn't believe we were
married at all. So they looked another way when they met us, and didn't
call. And all the while I was glad they didn't, but he wouldn't believe
it, and allowed I was pining on account of it.”
“And were you?”
Public-domain text, read in full here on John Shaqi.
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