Mr. Pim Passes By: A Comedy in Three Acts — John Shaqi
Mr. Pim Passes By: A Comedy in Three ActsMilne, A. A. (Alan Alexander)
General
Mr. Pim Passes By: A Comedy in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
OLIVIA. Lovely?
DINAH. Yes, he told me all about it. Making such a hash of things, I
mean.
OLIVIA (_innocently_). Did he make a hash of things?
DINAH. Well, I mean keeping on coming like that. And if you look at it
all round--well, for all he had to say, he needn't have come at all.
OLIVIA. Well, I don't think I should put it quite like that, Dinah.
DINAH (_referring to curtains_). I say, aren't they jolly?
OLIVIA. I'm so glad everybody likes them. Tell George I'm ready, dear.
DINAH. I say, is _he_ going to put them up for you?
OLIVIA. Well, I thought perhaps he could reach better.
DINAH. All right, I'll tell him. (_Crossing up_ L. _on to terrace and
calling off_.) George! (_Returning to back_ L. _end of writing-table_.)
Brian is just telling George about the five shillings he has in the Post
Office--(_crossing up_ L. _on to terrace again and calling off_.)
George!!
GEORGE (_from off_ L.). Coming!
DINAH (_playfully coming down centre, imitating a fairy's footsteps_).
Slow music while the curtains go up. (_Sits at piano and plays "As I
passed by your Window.")_
(_GEORGE enters from up_ L., _followed by_ BRIAN.)
GEORGE (_to_ OLIVIA). What is it, darling?
OLIVIA. I wish you'd help me to put up these curtains?
GEORGE. Of course, dear. I'd better get the library steps. (_Crosses to
doors R. and exits_.)
(BRIAN _goes quickly to OLIVIA and gratefully kisses her hand, then comes
down to DINAH and bows to her_.)
BRIAN. Madam! I have the honour to inform you that hence-forward you are
at liberty to regard me as your affianced husband.
DINAH (_rising quickly and advancing_). Darling!
BRIAN (_waving her back_). No! No! Stay there! (_She retreats and sits at
piano_.) Go on playing.
(DINAH _goes on playing and he takes out a sketch-book, sits on settee
and sketches her_.)
DINAH. What is it?
(OLIVIA _comes down centre, watching them_.)
BRIAN. Portrait of Lady Strange.
(_GEORGE enters from doors_ R. _with steps and crossing up R. places them
near_ R. _window_.)
OLIVIA (_she hands him the curtains and goes up L. of writing table and
round back, watching_ GEORGE). Are you ready, dear?
GEORGE (_mounting the steps_). Yes, quite ready.
OLIVIA. There! (_The curtains become entangled and he nearly falls_.) Oh,
take care, dear!
GEORGE (_again mounting steps_). Oh, that's all right, dear. They're a
little long. (_The curtains become entangled round his head_.)
(MR. PIM _enters mysteriously from up_ L.)
(OLIVIA _is looking up at_ GEORGE.)
(PIM _touches her on the shoulder and with a start she turns to him_.
DINAH _seeing him enter stops playing. OLIVIA, unwilling to attract_
GEORGE'S _attention, signals to_ DINAH _to continue playing, and, she
does so_.)
PIM. Mrs. Marden! I _had_ to come back--I've just remembered his name was
_Ernest_ Polwittle--not _Henry_! (_Going off up_ L.) Not Henry!
(DINAH _plays forte_.)
QUICK CURTAIN.
SCENE PLOT
_Oak panelled chamber_, with deep decorative frieze.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account