Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Very little change would be needed to fit the above to the Jazzmania of
to-day. The polka had a long innings. When the 'forties opened, the
waltz and the quadrille were firmly entrenched in fashionable favour.
The waltz, as we write, shows signs of rearing its diminished head, but
the quadrille, in those days a most elaborate business with a variety of
figures--La Pastorale, L'Été, La Trénitz, La Poule, etc.--is dead beyond
redemption. But the polka mania raged with little abatement for a good
ten years.[17] In 1844, amongst other advertisements of teachers of the
art of dancing, was that of a young lady who had been instructed by a
Bohemian nobleman. In spite of much ridicule and many appeals (in which
Thackeray joined) for the suppression of the pest, the malady was
described as still acute in the dog-days of 1856, and, in more subdued
phases, lasted for another fifty years. The mazurka also came into vogue
in the mid-'forties, but was never a serious rival to the polka in its
prime. It was an age of famous professional dancers--Taglioni (who gave
her name to an overcoat), Fanny Ellsler, Cerito, and Grisi, the cousin
of the _prima-donna_; but though there were schools of dancing, and
_Thés dansants_, which _Punch_ heavily ridiculed, and though the
fashionables occasionally secured the exclusive use of the lawns at
Cremorne, there was no competition between amateurs and professionals,
as in modern times. The latter were left the monopoly of the higher
flights of the art. Besides the polka, the accomplishments of the young
lady of fashion were mainly decorative. If they did not toil or spin, at
least they occupied themselves with fancy knitting, crochet, and the
practice of Poonah painting--an early and crude imitation of Oriental
art, so popular that the advertisements of instructors in "Indian Poonah
painting" figure in the newspapers and directories of the time. The
fashionable pets were spaniels, macaws, and Persian cats. The prevailing
tastes in art and letters in fashionable or genteel society are
(allowing for a little exaggeration) not badly hit off in a paper on the
Natural History of Courtship, giving hints for the nice conduct of
conversation at a social gathering:--
[Footnote 17: A correspondent wrote to _The Times_ in 1846 complaining
that at Ramsgate "the ladies dance polkas in their bathing dresses," and
suggesting a stricter supervision of the proprieties by policemen.]
[Sidenote: _Modish Futilities_]
Public-domain text, read in full here on John Shaqi.
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