Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
A more formidable monstrosity of these years was the "bustle,"
admirably criticized by the fisherman in Du Maurier's picture. By 1889
_Punch_ celebrated its departure along with other excrescences in a
parody of Browning:--
EVELYN'S HOPE
The hideous bustle at last is dead.
Come and talk of the beast a minute!
Never again will it flourish, it's said;
What on earth we women saw in it,
Or why we liked it, is hard to discover;
Only the world is a nicer place,
Now that the pest called a "dress-improver"
Is improved, by Fashion, right off its face.
There's the tall hat, too, which they say is doomed.
One rather liked it, or viewed it with awe,
Till one sat in a theatre, and far away loomed
A rampart of feathers, frilling, and straw,
Hiding the stage, the footlights, and all,
Save perhaps the top of a paste-board tree;
Oh, then one's fingers did certainly crawl
To fling a book at the filigree!
But, some day, in Fashion's whirligig,
The monstrous bustle, the Eiffel hat,
May arise once more, even twice as big,
For our great-grandchildren to wonder at.
Well, that's Posterity's matter, not mine.
The one thing now is to put up a hymn
Of praise, and of hope that, when new suns shine,
Good taste may flourish instead of whim!
[Sidenote: _Æsthetic Children_]
In 1891 a new fashion of dressing hair in the "teapot handle" style
arose and was pronounced by _Punch_ to be "frightful," and the epithet
is at least justified by _Punch's_ caricature.
[Illustration: THE HEIGHT OF ÆSTHETIC EXCLUSIVENESS
MAMMA: "Who are those extraordinary-looking children?"
EFFIE: "The Cimabue Browns, Mamma. They're _Æsthetic_, you
know!"
MAMMA: "So I should imagine. Do you know them to speak to?"
EFFIE: "Oh dear no, Mamma--They're most _exclusive_. Why, they
put out their tongues at us if we only _look_ at them!"]
Throughout this period the children in Du Maurier's pictures, however
dressed, are a joy to look at. The fashion of arraying them in
"æsthetic" costumes meets, however, with no favour. It is even implied
that such a garb impairs their manners and conduces to arrogance,
witness Du Maurier's picture of the young Cimabue Browns putting out
their tongues in derision at ordinary normally clad children in the
park. In 1881 we read:--
The poor little Guys who have been compelled by unthinking parents to
walk about in long skirts, antique cloaks, and coal-scuttle bonnets,
have caused so much laughter that the dress is now called "The
Grinaway Costume."
Public-domain text, read in full here on John Shaqi.
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