Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
This Æstheticism, as it has gradually come to be known, is the
reaction from Kingsley's muscular Christianity. Exaggerated muscular
Christianity, in its crusade against canting and whining religion,
in its bold attempt to show that the practice of true religion was
for men, as well as for women, trampled on the Christian Lily, emblem
of perfect purity; and what Athleticism trod under foot, Æstheticism
picked up, cherished, and then, taking the sign for the reality, paid
to it the extravagant honours of a Pagan devotion; and the worship
of the Lily was substituted for the veneration paid to the sacred
character, in whose hand Christian Art had originally placed it. To
this was added the worship of the Peacock's Feather. It is this false
Æstheticism which we have persistently attacked, and will persistently
attack to the bitter end, and henceforward those who misunderstand us
do so wilfully, and it may be maliciously.
[Illustration: ACUTE CHINAMANIA
MAY: "Mamma! Mamma! _Don't go_ on like this, _pray_!!"
MAMMA (_who has smashed a favourite pot_): "What have I got
left to live for?"
MAY: "Haven't you got _me_, Mamma?"
MAMMA: "_You_, child! _You're not_ unique!! There are six of
you--a complete set!!"]
[Sidenote: _Whistler and Ruskin_]
_Punch_ was justified in deploring the opportunism of Millais in
painting "pot-boilers" and "pretty-pretty" pictures, such as "Bubbles."
He had powerful and well-equipped allies in his view that Whistler in
his later manner left off painting or etching where the difficulties
began, a view expressed in the lines in 1883 on "Whistler in Venice":--
Whistler is "Niminy-Piminy,"
Funny, fantastic, and quaint.
Yet he's so clever that Jimmy nigh
Makes men believe he can paint.
What of his works? Why, each etching is
Only at present half done,
And on the copper the sketching is
Simply a wild piece of fun.
Vainly the Critics will sit on him,
Why such a butterfly slay?
No one can e'er put the bit on him--
Whistler's the wag of the day.
Yet _Punch_ thought Ruskin had gone too far in the famous onslaught
which led to the historic lawsuit and verdict in 1878:--
To John Ruskin
(On a recent Verdict)
If "_Fors Clavigera_," dear Slade Professor,
Means "Force that bears a club,"
Be warned, since of a big stick you're possessor,
And more discreetly drub.
Strength unrestrained's not greater strength but lesser,
And scorn provoketh snub.
Public-domain text, read in full here on John Shaqi.
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