Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
The Elections went against the Government, and Lord Salisbury was
returned to power, with Lord Randolph as Chancellor of the Exchequer
and Leader of the House of Commons. The verses which accompany and
expand the cartoon of "The Grand Young Man" with the shade of Dizzy
looking on, almost deviate into geniality. _Punch_ fancies that
Randolph, in spite of his defects of taste and manners, is "more
than a mere mime," but, in contrasting his career with that of Lord
Beaconsfield, points out that he was born in the purple and that his
rise to power was easier and quicker. This comparatively friendly mood
soon gave way to the old distrust, and by October, in "Swag, or the
political Jack Sheppard," we see Lord Randolph, anxious to eclipse
Dizzy as a Tory Turpin and "disher" of the Whigs, rifling a chest
labelled "Liberal Measures," while Mr. Gladstone peers into the room at
the back. _Punch's_ distrust was partly justified by Lord Randolph's
impetuous resignation in December. What might have been a great career
was wrecked by an impatient temper. Immense ability, industry, courage
and reforming zeal were there, and it was hardly fair to represent him
as a modern Curtius leaping into the pit of Popularity. The Treasury
was not the only Government Office in which reform was thwarted by
obstruction and mismanagement. _Punch_ attacked the War Office in the
autumn of 1886 for setting its face "not merely against change, but
against experiments pointing to change," and scouting all inventors as
nuisances. He simultaneously proposed the foundation of an official
organ of the Admiralty to be called "Dowb," the burlesque prospectus
of which obliquely satirizes the abuse of perquisites, bad stores,
muddled finance, futile commissions of inquiry and general incompetence
in high places. Home politics engrossed attention throughout the year,
but _Punch_ did not fail to note the gathering clouds in the Balkans,
when Prince Alexander of Battenberg, the hero of Slivnitza, a gallant
and picturesque figure, had abdicated the throne of Bulgaria, Russian
jealousy having rendered his position untenable. In the cartoon of
"The Vanishing Lady," the Tsar is shown as a juggler using the cloak
of diplomacy to extinguish the freedom of the country he had helped to
emancipate. The same year which witnessed the disappearance from the
political scene of Prince Alexander was marked by the birth of Alfonso
XIII of Spain, and _Punch_ offered his ceremonial greeting to one of
the few sovereigns who survived the monarchical _débâcle_ of the Great
War of 1914.
The Victorian age reached its grand climacteric in 1887, the year of
the Queen's Golden Jubilee and the gathering of the Kings and Captains.
Of the celebrations we speak elsewhere. _Punch_, no longer anti-Papist,
linked them with those at the Vatican--in honour of Leo XIII, who had
been ordained priest in 1837--in his lines on "Two Jubilees":--
Public-domain text, read in full here on John Shaqi.
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