Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Serbia's resistance was soon overcome, but the Powers forced Turkey to
grant her an armistice, and largely through Great Britain's influence,
a Conference was held at Constantinople where Lord Salisbury was our
representative. A short breathing-space was thus gained, but the
Conference was abortive, and war between Russia and Turkey broke out in
1877. _Punch_ was in rather a delicate position: for while distinctly
anti-Turk, he had never trusted Russia. Thus, while assailing the
_Daily Telegraph_, _Pall Mall Gazette_ and _Morning Post_ for their
Chauvinism, and the Tory press generally for their campaign against
Russia and their support of the "veracious Turk," he was hardly less
severe in his strictures on the belligerent humanitarians who would
have welcomed pro-Russian intervention. _Punch_ advocated neutrality,
but he was fully alive to the difficulties of the situation, and
expressed them in a cartoon in which the British Lion is exhibited in
a bothered mood, distrustful of Russia, and unable to make out what
the Government meant, or the Opposition either. In his comments on the
debate on Mr. Gladstone's resolution, _Punch_ deplores the weakness and
dissensions of the Opposition and supports the bolder spirits. Many
years were to elapse before Lord Salisbury made his remarkable speech
about our having "backed the wrong horse," i.e. Turkey, in the Crimean
War. That speech proved that _Punch_ was fully justified in seizing
on the caution which the same speaker had given nearly twenty years
earlier. For Lord Salisbury declared in 1897 that the defence of the
diplomacy of 1878 lay in its traditional character, not in its inherent
excellence, and that neither he nor Lord Beaconsfield was free from
misgivings as to its results. The music halls have not often enriched
the language with permanent additions, but they added "Jingo" and
"Jingoism" in 1877. _Punch's_ comment on Macdermott's famous song is
instructive. It was inspired by a reference in the Paris _Figaro_:--
On the back page of the _Figaro_ is given one verse in English, with
the music, of that "War Song" of the Music Halls, which just now
enjoys its share of popularity with "_Nancy Lee_," and "_Jeremiah,
Blow the Fire_," and a translation of the whole song into French, of
which the _Figaro_ says apologetically, "_Des vers français n'auraient
pu arriver à la sauvage énergie de l'original_." The chorus of the
song, as sung by most of our London street-boys, instead of "_They all
do it_," and "_Woa Emma_," recently shelved, is this:--
"We don't want to fight, but by Jingo if we do," etc. And the
translation, which "_n'aurait pu arriver à la sauvage énergie de
l'original_," is:
"_Nous ne voulons pas la guerre, mais, par Dieu! si nous combattons_,"
etc.
Public-domain text, read in full here on John Shaqi.
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