Mr. Punch's History of the Great WarGraves, Charles L. (Charles Larcom)
History
Mr. Punch's History of the Great War
Graves, Charles L. (Charles Larcom)
World War, 1914-1918 -- Caricatures and cartoons
Another month of revelations and reticences, of carnage and destruction,
loss and gain, with the miracle of the Marne as the first great sign of the
turning of the tide. On September 3 the Paris Government moved to Bordeaux,
on the 5th the retreat from Mons ended, on the 13th Joffre, always
unboastful and laconic, announced the rolling back of the invaders, on the
15th the battle of the Aisne had begun. What an Iliad of agony, endurance
and heroism lies behind these dates--the ordeal and deliverance of Paris,
the steadfastness of the "Contemptibles," the martyrdom of Belgium!
Day by day Germany unmasks herself more clearly in her true colours from
highest to lowest. The Kaiser reveals himself as a blasphemer and
hypocrite, the Imperial crocodile with the bleeding heart, the Crown Prince
as a common brigand, the High Command as chief instigators to ferocity, the
rank and file as docile instruments of butchery and torture, content to use
Belgium women as a screen when going into action.
THE TWO GERMANIES
Marvellous the utter transformation
Of the spirit of the German nation!
Once the land of poets, seers and sages,
Who enchant us in their deathless pages,
Holding high the torch of Truth, and earning
Endless honour by their zeal for learning.
Such the land that in an age uncouther
Bred the soul-emancipating LUTHER.
Such the land that made our debt the greater
By the gift of _Faust_ and _Struwwelpeter_.
Now the creed of Nietzsche, base, unholy,
Guides the nation's brain and guides it solely.
Now Mozart's serene and joyous magic
Yields to RICHARD STRAUSS, the haemorrhagic.[A]
Now the eagle changing to the vulture
Preaches rapine in the name of culture.
Now the Prussian _Junker_, blind with fury,
Claims to be God's counsel, judge and jury,
While the authentic German genius slumbers,
Cast into the limbo of back numbers.
[Footnote A: Great play is made in Strauss's _Elektra_ with the
"slippery blood" motive.]
The campaign of lies goes on with immense energy in all neutral countries,
for the Kaiser is evidently of opinion that the pen is perhaps mightier
than the sword.
Public-domain text, read in full here on John Shaqi.
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