Mr Punch's Model Music Hall Songs and Dramas: Collected, Improved and Re-arranged from PunchAnstey, F.
General
Mr Punch's Model Music Hall Songs and Dramas: Collected, Improved and Re-arranged from Punch
Anstey, F.
Humorous songs -- England -- Texts; Musicals -- Librettos -- Parodies, imitations, etc.; Revues -- Librettos -- Parodies, imitations, etc.
_The Chairman._ One moment, Mr. Wheedler, (_conferring with his
colleagues_). “Marked with red letter”--isn’t that a little--eh? liable
to----You don’t think they’ll have read Hawthorne’s book? Very well,
then. Go on, Mr. Wheedler, please.
_Mr. W._ “’Twas warm, with a heaven so blue.”
_First Censor._ Can’t pass those two epithets--you must tone them down,
Mr. Wheedler--_much_ too suggestive!
_Mr. W._ That shall be done.
_The Chairman._ And it ought to be “sky.”
_Mr. W._ “When amid the lush meadows I met her,
My Molly, so modest and true!”
_Second Censor._ I object to the word “lush”--a direct incitement to
intemperance!
_Mr. W._ I’ll strike it out. (_Reads._)
“Around us the little kids rollicked,
Lighthearted were all the young lambs----”
_Second Censor._ Surely “kids” is _rather_ a vulgar expression, Mr.
Wheedler? Make it “_children_,” and I’ve no objection.
_Mr. W._ I have made it so. (_Reads._)
“They kicked up their legs as they frolicked”----
_Third Censor._ If that is intended to be done on the stage, I protest
most strongly--a highly indecorous exhibition!
[_Murmurs of approval._
_Mr. W._ But they’re only lambs!
_Third Censor._ Lambs, indeed! We are determined to put down _all_
kicking in Music-hall songs, no matter _who_ does it! Strike that line
out.
_Mr. W._ (_reading_). “And frisked by the side of their dams.”
_First Censor_ (_severely_). No profanity, Mr. Wheedler, _if_ you
please!
_Mr. W._ Er--I’ll read you the Refrain. (_Reads, limply._)
“Molly and I. With nobody nigh.
Hearts all a-throb with a rapturous bliss,
Molly was shy. And (at first) so was I,
Till I summoned up courage to ask for a kiss!”
_The Chairman._ “Nobody nigh,” Mr. Wheedler? I don’t quite like that.
The Music Hall ought to set a good example to young persons. “Molly and
I--_with her chaperon by_,” is better.
_Second Censor._ And that last line--“asking for a kiss”--does the song
state that they were formally engaged, Mr. Wheedler?
_Mr. W._ I--I believe it omits to mention the fact. But (_ingeniously_)
it does not appear that the request was complied with.
_Second Censor._ No matter--it should never have been made. Have the
goodness to alter that into--well, something of this kind. “And I always
addressed her politely as “Miss.” Then we _may_ pass it.
_Mr. W._ (_reading the next verse_).
“She wore but a simple sun-bonnet.”
_First Censor_ (_shocked_). Now really, Mr. Wheedler, _really_, Sir!
_Mr. W._ “For Molly goes plainly attired.”
_First Censor_ (_indignantly_). I should think so--_Scandalous_!
_Mr. W._ “Malediction I muttered upon it,
One glimpse of her face I desired.”
[Illustration: Licensing Day.]
_The Chairman._ I think my colleague’s exception is perhaps just a
_leetle_ far-fetched. At all events, if we substitute for the last
couplet,
Public-domain text, read in full here on John Shaqi.
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