But the disproportion between the size of the beast and that of his
burden, and his gravity and circumspection, is scarcely funnier
here than when he is placed before a two-wheeled cart, a story and
a half higher than himself, and containing a man, a woman, a boy,
and a pig; sometimes cabbages and chickens, often two or three
inexperienced calves. And in the afternoon, when market is over, I
have often seen six or seven women huddled into one of these primitive
chariots, each provided with the inevitable stocking her tongue and
her knitting-needles keeping time as the cart goes tilting along over
the famous roads of the Basses-Pyrénées. The gay handkerchiefs of
the women, the purple, blue and gray stockings with their flashing
needles, and the huge brown loaves of bread sure to be protruding in
various quarters, made these groups, returning from market, most
picturesquely striking.
Coming in from the _Alléés de Morlaäs_ we find, as we approach the
_Place des Eçoles_, an animated scene. The broad sidewalk is lined
with rows of women selling vegetables, fruit, flowers, poultry and
eggs. The haggling of the buyers and the gibing of the venders, though
carried on in _patois_ unintelligible to us, are expressed in tones
and accompanied by gestures that translate them quite effectively;
especially as not a market-day passes without a long recital from our
Catherine, illustrating the greed of the peasants and her own superior
finesse.
"How much do you want for this chicken?"
"Three francs."
"Keep your chicken for somebody see. I'll go to another."
"Stay! What will you give for it?"
"Two francs."
"Get along with you!"
As Catherine eyes the chicken which she secretly admires and openly
abuses, another cook comes up and lays her hand on its comely breast.
It is a decisive moment, but Catherine is equal to the emergency.
"Stand off there! I'm here first."
Then, with a secret resolve that her _demoiselles_ shall dine on that
little plump _poulet_, she offers fifty sous and carries off the
prize. To see her enter our _salon_ bearing a waiter on which are a
dozen fine rosy apples and two large russet pears, with the question,
"Guess how much I paid for all?" written in every line of her shrewd
old face, is something worth coming to Europe for. To make a sharp
bargain, to cook a good dinner, and never to waste anything, these are
the aims of her life and the themes of her discourse.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account