"I'm glad. My wife is a very delightful woman; but, you know, you
mustn't take everything she says too seriously."
"I won't. I'm not a very serious person myself."
"Don't say that. Don't say that."
"Very well. I think, if you don't want me, I'll say good night."
"Seriously?"
"Seriously."
He had risen as she rose and went to open the door for her. He escorted
her through the smoke-room and stood there at the further door, holding
out his hand, benignant and superbly solemn.
"Good night, then," he said.
She told herself that she was wrong, quite wrong about his poor old
face. There was nothing in it, nothing but that grave and unadventurous
benignity. His mood had been, she judged, purely paternal. Paternal and
childlike, too; pathetic, if you came to think of it, in his clinging to
her presence, her companionship. "It must have been my little evil
mind," she thought.
3
As she went along the corridor she remembered she had left her knitting
in the drawing-room. She turned to fetch it and found Fanny still there,
wide awake with her feet on the fender, and reading "Tono-Bungay."
"Oh, Mrs. Waddington, I thought you'd gone to bed."
"So did I, dear. But I changed my mind when I found myself alone with
Wells. He's too heavenly for words."
Barbara saw it in a flash, then. She knew what she, the companion and
secretary, was there for. She was there to keep him off her, so that
Fanny might have more time to find herself alone in.
She saw it all.
"'Tono-Bungay,'" she said. "Was _that_ what you sent me out with Mr.
Bevan for?"
"It was. How clever of you, Barbara."
IV
1
Mr. Waddington closed the door on Miss Madden slowly and gently so that
the action should not strike her as dismissive. He then turned on the
lights by the chimneypiece and stood there, looking at himself in the
glass. He wanted to know exactly how his face had presented itself to
Miss Madden. It would not be altogether as it appeared to himself; for
the glass, unlike the young girl's clear eyes, was an exaggerating and
distorting medium; he had noticed that his wife's face in the smoke-room
glass looked a good ten years older than the face he knew; he
calculated, therefore, that this faint greenish tint, this slightly
lop-sided elderly grimace were not truthful renderings of his complexion
and his smile. And as (in spite of these defects, which you could put
down to the account of the glass) the face Mr. Waddington saw was still
the face of a handsome man, he formed a very favourable opinion of the
face Miss Madden had seen. Handsome, and if not in his first youth, then
still in his second. Experience is itself a fascination, and if a man
has any charm at all his second youth should be more charming, more
irresistibly fascinating than his first.
Public-domain text, read in full here on John Shaqi.
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