Love stories; New England -- Social life and customs -- 19th century -- Fiction
Dunstan sprang up and _non scese, no, precipitò_ down the hillside.
Clara looked anxiously after him. These were the saddening moments
of twilight, when sunset glories are gloom and we are not yet quite
reconciled to night. Some one of the festal party said that the evening
was ominously beautiful--it seemed there could never be another to
compare with it. Splendours were exhausted.
The Dumplings stands upon a low, craggy hillock at the water’s edge. In
front is a bit of precipice; then a scarped slope, covered with débris,
such as bricks, stones, broken bottles, sardine boxes, and chicken
bones; then rocks again and water. On the landward side the rough
hillock is still steep, but overcome by a path circling the crumbling
round of the fort. This path is rather up and down, enough so to blow
most dowagers and duennas; the ascent has therefore its great uses in
the world, and many a tender word has been gasped from panting hearts
of those who panted up together, eluding, for precious moments, the
stern duenna below.
Dunstan climbed rapidly up. It was but a few steps, yet in the moment
all that had ever passed between him and Diana came powerfully back,
as all the sounds of a lingering storm are suddenly embodied in one
neighbour thunder-clap, and all its playfully terrible lightnings,
illuminating scenes far away, concentre in the keen presence and
absence of the flash that strikes near by. The evening, whose ominous
beauty had impressed him also, was so still that he could hear gushes
of gay laughter from the party. He could see nothing of Diana. She
must be within the fort. As he stepped along the narrow ledge of the
pathway, he checked himself an instant before entering the ruined
gateway, and called “Diana!” No answer! Could she have gone elsewhere?
He sprang within the inclosure.
Diana was there. She sat leaning against an angle of the crumbling
wall. As he entered, she turned towards him a ghastly and agonised
face. She did not stir. She was pressing her handkerchief to her arm.
He was at her side in an instant.
“Blood! blood again!” he said, with a dreadful shudder. “It shall not
part us now--Diana, my love! my love!”
He took her very tenderly in his arms. Blood was flowing freely from a
wound in her arm. He tore off his cravat and checked the flow and was
binding the place with his handkerchief. The agonised look on her face
changed to a smile of gentleness.
“Harry,” she said, “this is nothing--a scratch--I fainted and fell.
That was the old wound. I am dying with the old wound. Dying to-day,
when I was happy again--to-day, when I know you love me still.”
“Love you--oh, Diana! I have been waiting through all this long despair
for this one moment. I knew the terror must pass away that separated
us, and now a new terror comes--the old wound--dying--no! no! Oh, my
God!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account