It was commodious and well-appointed, with a pleasant outlook by
daylight. In the dawn that struggled in a low-spirited way through the
rifts in the rain and refused to blend with the yellow blink of her
candle and Homer’s lantern, no chamber could be less than dismal.
Homer was on his knees in front of the flickering fire, at which he
stared as if doggedly determined to put it out of countenance.
“Now”—his way of beginning nine out of every ten sentences—“this ere’s
a new pattern of a range to me, an’ it’s tuk me some time fur ter git
holt on it. Most new things comes awk’ard to most folks.”
Hetty blew out her candle, and, dropping into a chair in physical and
mental languor, sat watching the grotesque figure clearing away ashes
and cinders. His wrestle with the new pattern had begrimed his pale
face and reddened his weak eyes. His matutinal costume of a dim blue
flannel shirt, gray trousers, and a black silk skull cap cast off by
Mr. Wayt, pushed well back upon the nape of the neck and revealing
a scanty uneven fringe of whitey-brown hair, did not provoke the
spectator to a smile.
“There is no bringing _him_ up to the tone of that study!” she
meditated grimly. “He and I are hopeless drudges, but he is the happier
of the two. Homer! I believe you really _love_ to work!” she broke
forth finally.
Homer snickered—a sudden spurt that left him very sober. His laugh
always went out like a damp match.
“Yes’m, cert’nly, ma’am! Ef ’twant fur work, there wouldn’t be nuthin’
to live fur!”
He shambled off to the cellar with the ashpan, and in a few minutes,
she could distinguish in the sounds rumbling and smothering in the
depths beneath her feet the melancholy tune of his favorite ditty:
“On the banks of the Omaha—maha!
’Twas there we settled many a night.
As happy as the little bird that sparkled on our block
On the banks of the Omaha!”
Hetty raised the window and leaned out, gasping for breath. A garden
lay behind the house and on one side of it. It was laid out in walks
and borders, and was rather broad than deep. Beyond this were undefined
clumps of trees that looked like an orchard. Roofs and chimneys and
spires and lines of other trees, marking the course of streets, were
emerging from the soaking mists. Five o’clock struck from a tower not
far away, and then a church bell began to ring gently—a persuasive call
to early prayers.
The warm, sweet, wet air that aroused her to look over the sill at a
row of hyacinths in full bloom, the slow peal of the bell, the hush
of the early morning, did not comfort her—but the soft moisture that
filled her eyes drew heat and bitterness out of her heart. When
she went up to awaken Hester she carried a spray of hyacinth bells,
weighted with fragrant drops. Fine gems of rain sprinkled her hair, her
cheeks were cool and damp, the scent of fresh earth and growing things
clung to her skirts. She laid the flowers playfully against the heavy
lids lifted peevishly at her call.
Public-domain text, read in full here on John Shaqi.
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