Into this turmoil George was plunged on his return from Peckton. He had
been detained there two days, and did not reach his rooms till late
on Friday evening. He was greeted by two numbers of the _Bull's-eye_,
neatly displayed on his table; by a fiery epistle from Gerald, demanding
blood or apologies; by two penitential dirges from Isabel Bourne and
Tommy Myles; and, lastly, by a frigid note from Lord Tottlebury,
enclosing the testimony of Mrs. Philip Horne to the character and
accomplishments of Miss N. Gale. In Lord Tottlebury's opinion, only one
course was, under the circumstances, open to a gentleman.
Philanthropists often remark, _à propos_ of other philanthropists, that
it is easier to do harm than good, even when you are, as it were, an
expert in doing good. George began to think that his amateur effort
at preserving the family reputation and punishing a wrongdoer looked
like vindicating the truth of this general principle. Here was a
hornets'-nest about his ears! And would what he brought back with him
make the buzzing less furious or the stings less active? He thought not.
"Can a girl be in two places at once," he asked,--"in one of her
Majesty's prisons, and also at--where is it?--Balmoral Villa,
Bournemouth?" And he laid side by side Mrs. Horne's letter and a certain
photograph which was among the spoils of his expedition.
George had not the least doubt that it was a photograph of Neaera
Witt, for all that it was distinctly inscribed, "Nelly Game." Beyond
all question it was a photograph of the girl who stole the shoes,
thoughtfully taken and preserved with a view to protecting society
against future depredations at her hands. It was Crown property,
George supposed, and probably he had no business with it, but a man can
get many things he has no business with for half a sovereign, the sum
George had paid for the loan of it. It must be carefully remembered
that Peckton is exceptional, not typical, in the laxity of its
administration, and a long reign of solitary despotism had sapped the
morality of the fat policeman.
The art of photography has made much progress in recent years. It is
less an engine for the reduction of self-conceit than it used to be,
and less a means of revealing how ill-looking a given person can appear
under favourable circumstances. But Peckton was behind the time, here as
everywhere. Nelly Game's portrait did faint justice to Neaera Witt, and
eight years' wear had left it blurred and faded almost to the point of
indistinctness. It was all very well for George to recognise it. In
candour he was bound to admit that he doubted if it would convince
the unwilling. Besides, a great change comes between seventeen and
five-and-twenty, even when Seventeen is not half-starved and clad in
rags, Five-and-twenty living in luxury, and decked in the glories of
millinery.
Public-domain text, read in full here on John Shaqi.
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