rose, she rose too, but repulsed his attempts to wrap her cloak more
closely round her.
“It will do very well as it is,” she said, twitching it out of his hand.
“What is the matter?” he asked, wistfully, drawing her arm through his,
not without a little resistance on her part.
“The matter? What should be the matter? I am only tired, and I shall be
glad to get home,” said Nancy.
“I have made you do too much. I have dragged you about and worn you out,
my poor darling!” cried Arthur, and he was full of compunctions, half
carrying her downstairs. But when they got into the little _coupé_ which
waited for them, she burst forth.
“I can’t see what there was so very amusing. I don’t think it could be
good French,” cried Nancy. “I don’t pretend that I can talk like you,
but I learned French at school, and I am sure I could understand if it
was good. You call that acting! I did not think he was clever at all.”
“My love,” said poor Arthur, “it was the great Got, the best comic actor
in the world, I think. I never saw anyone like him.”
“I have seen a dozen better,” cried Nancy. “What did he do? nothing but
make a fool of himself, putting on those ridiculous clothes, and dancing
and singing, and learning lessons, an old man! The great Go! I wished he
would go, I am sure, long before he did go,” she said, recovering her
spirits a little by means of her pun. But the process was not so
successful in respect to Arthur. He did not say anything, but shrugged
his shoulders, which fortunately she did not perceive.
“I see,” he said, at last. “That is not the kind of acting you care for;
the higher walks perhaps would please you better. We will try something
quite different to-morrow.”
Public-domain text, read in full here on John Shaqi.
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