“What is a famous Raffaelle? I don’t pretend to know anything about it; and I’d much rather have a picture of you; but what would be really delightful would be to be photographed together. I wonder I never thought of it before. Let us go and find some one as soon as we get out of this stupid place. Oh yes, I have seen everything I want to see.” Poor Arthur! he was pleased that she should want a portrait of himself. This flattering touch mended his wounds a little, and as she hurried him out again into the bright wintry streets (breathing, herself, a sigh of relief when they got fairly clear of the galleries), he said to himself with the new philosophy which had come to his aid: Well! how was it to be expected she should care for pictures, she who had never seen any? Of course the anticipation was quite absurd on his part. Art demands a special education. To plunge an unsophisticated mind without any training, without any preface, straight into the profundities of Leonardo, of Raffaelle, of Perugino, was ever anything so unreasonable? and then to expect her to understand at once! The poor young fellow felt that he had been hard upon his Nancy, though heaven knows, without meaning it. And then what a pretty idea that was of hers about the photograph! He had winced a little at the idea of having it hung up in Mrs. Bates’s parlour, and exhibited to all her friends; but that was a paltry feeling--and what could be more natural and delightful than that she should wish for such a memento of their honeymoon? That she should be so eager about it, was not that a proof that she was happy, notwithstanding all the little frets of her new position, and those ill-advised efforts of his to force her into his own conventional code of the right things to be admired? That was all a matter of education, he felt sure. He had not thought it to be so before. He had supposed in his ignorance that a fine picture was like a fine landscape, comprehensible to everybody; but then Arthur recollected what he had read somewhere that it was very long even before people began to admire nature, that a generation or two back the Alps were only horrible snowy deserts, and mountains generally were looked upon as obstructions and eyesores by the common mind. This showed clearly (he said to himself) that education was everything. It not only _trained_ the eye but might be said to create it, giving perceptions of beauty that actually had not existed before. This thread of thought kept him occupied as he went on through the bright streets, drawn by Nancy’s eagerness to one of the shops where they had made their previous purchases, to ask about a photographer. She was in such spirits over the idea that she kept up the conversation and covered his silence; and he had conducted his cogitation to a most satisfactory end, the conclusion that Nancy had really shown originality in her remarks and that it was a mere absurdity