Mrs. Balfame: A NovelAtherton, Gertrude Franklin Horn
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Mrs. Balfame: A Novel
Atherton, Gertrude Franklin Horn
Murder -- Fiction; Mystery fiction; United States -- Social life and customs -- 20th century -- Fiction
But--as the wise Mr. Broderick would have predicted had he not been
interested elsewhere during this period--the tension grew too strong for
Alys Crumley. Nervous and high-strung, with her reservoir of human
emotions undepleted by even a hard flirtation since her early youth,
idealistic, romantic, and imaginative, she began to realise that with
each long uninterrupted evening--Mrs. Crumley was the most tactful of
parents--she was growing more femininely sensitive to this man's
magnetism and charm, to his quick responsive mind, to the mobility under
the surface of his lean hard face, to the suggestion of indomitable
strength which was the chief characteristic of the new American race of
men.
It was not long before she was exaggerating every attractive attribute
he possessed until he no longer seemed what he was, a fine specimen of
his type, but a glorified superbeing and the one desirable man on earth.
Her sense of superiority over this "rather crude Western specimen who
knew nothing but his job," and to whom she could teach so much, had
protected her for a time, held her femaleness and imagination in
abeyance, but insensibly his sheer masculinity swamped her, left her
without a rock but pride to cling to.
It was then that she showed her hand.
For a time after her discovery she was merely furious with herself; she
was twenty-six and no weakling, neither sentiment nor passion should
master her. But this phase was brief. Infatuation is not cast out either
by reason or pride, and very soon her mind opened to the insidious
whisper: "Why not?" What was the career of staff artist, full of
liberty, excitement, and good fellowship as it might be, to marriage
with an ambitious man capable of inspiring the wildest love? Sooner or
later had she not intended to make just such a marriage?
From this inception her deductions followed in logical feminine
sequence. If she loved him with a completeness which was both preadamic
and neoteric, it was of course because he was consumed with a similar
passion; in other words he was her mate. He might be too comfortable and
content to have realised it so far, but only one awakening was possible,
and hers was the entrancing part to reveal him to himself.
She knew that while by no means a beauty, she was as far from
commonplace in colouring at least as in style. Her eyes were an odd
opaque olive, their tint so pronounced that it seemed to invade the pale
ivory of her skin and the smooth masses of her hair. It was a far more
subtle face than American women as a rule possess, and the eyes in spite
of a curious inscrutability that might mean anything were capable of a
play of lights directed from a battery more archaic than modern; and
late one evening after she had read him an impassioned drama (ancient)
and there was a dusky rose in either cheek, she turned them on.
Public-domain text, read in full here on John Shaqi.
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