Mrs. CraddockMaugham, W. Somerset (William Somerset)
General
Mrs. Craddock
Maugham, W. Somerset (William Somerset)
Marriage -- Fiction
“Did you think I was going to let my happiness be destroyed by you?” she
asked, contemptuously. “I found out that you had been meddling, Dr.
Ramsay. Poor boy, he thought his honour required him not to take
advantage of my inexperience; I told him, what I’ve told him a thousand
times, that I love him, and that I can’t live without him.... Oh, I
think you ought to be ashamed of yourself, Dr. Ramsay. What d’you mean
by coming between me and Edward?”
Bertha said the last words passionately, breathing hard. Dr. Ramsay was
taken aback, and Miss Glover, thinking such a manner of speech almost
unladylike, looked down. Miss Ley’s sharp eyes played from one to the
other.
“Do you think he really loves you?” said Miss Glover, at last. “It seems
to me that if he had, he would not have been so ready to give you up.”
Miss Ley smiled; it was certainly curious that a creature of quite
angelic goodness should make so Machiavellian a suggestion.
“He offered to give me up because he loved me,” said Bertha, proudly.
“I adore him ten thousand times more for the suggestion.”
“I have no patience with you,” cried the doctor, unable to contain
himself. “He’s marrying you for your money.”
Bertha gave a little laugh. She was standing by the fire and turned to
the glass.... She looked at her hands, resting on the edge of the
chimney-piece, small and exquisitely modelled, the fingers tapering, the
nails of the softest pink. They were the gentlest hands in the world,
made for caresses; and, conscious of their beauty, she wore no rings.
With them Bertha was well satisfied. Then, raising her glance, she saw
herself in the mirror: for a while she gazed into her dark eyes,
flashing sometimes and at others conveying the burning messages of love.
She looked at her ears--small, and pink like a shell; they made one feel
that no materials were so grateful to the artist’s hands as the
materials which make up the body of man. Her hair was dark too, so
abundant that she scarcely knew how to wear it, curling; one wanted to
pass one’s hands through it, imagining that its touch must be
delightful. She put her fingers to one side, to arrange a stray lock:
they might say what they liked, she thought, but her hair was good.
Bertha wondered why she was so dark; her olive skin suggested, indeed,
the south with its burning passion: she had the complexion of the fair
women in Umbria, clear and soft beyond description. A painter once had
said that her skin had in it all the colour of the setting sun, of the
setting sun at its borders where the splendour mingles with the sky; it
had an hundred mellow tints, cream and ivory, the palest yellow of the
heart of roses and the faintest, the very faintest green, all flushed
with radiant light. She looked at her full, red lips, almost
passionately sensual. Bertha smiled at herself, and saw the even,
glistening teeth; the scrutiny had made her blush, and the colour
rendered still more exquisite the pallid, marvellous complexion. She
Public-domain text, read in full here on John Shaqi.
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