In her early widowhood she had been much pestered with offers of marriage, but it had not taken many years to convince her world that she would die Sara Luttrell. Every cause except the right one was given for this, for of all women Mrs. Luttrell was the last one to be suspected of a sentiment so profound as the lifelong mourning for a lost love. But it was perhaps just this touch of passionate regret, this fidelity to an ideal, which constituted half her charm to men. At an age when most are content to sink into grandmotherhood, Mrs. Luttrell was surrounded by men of all ages in a manner to make a débutante envious. Other hostesses might have to rack their brains for dinner men; Mrs. Luttrell was always embarrassed with riches in this respect. An afternoon visit at her house meant finding a dozen desirable men whom hospitable hostesses languished for in vain. Even a tea, that function dreaded of women because it means two women to one man, became in Mrs. Luttrell’s splendid, old–fashioned drawing–room a company in which the masculine element exactly balanced the feminine. She could have made the fortune of a débutante, and hence ambitious mothers sought her favor. Mrs. Luttrell, however, never had made a débutante’s fortune and never intended to, holding that the power to grant a favor is more respected than the favor itself. Then, too, it was well known that Richard Baskerville, one of the most desirable and agreeable men in Washington, was always to be found at her house, and was certain to inherit her fortune; and he had the ability, the wit, and the grace to be an attraction in himself. The old lady would have liked it well if Baskerville had consented to live in a suite of the big, unused rooms in the house, but this he would not do. He agreed as a compromise, however, to buy a small house back of Mrs. Luttrell’s, and by using an entrance in her large, old–fashioned garden, it was almost as if he were in the same house. Mrs. Luttrell followed the new customs and fashions so far as she thought judicious, and no farther. She knew the power of old customs and fashions when properly used. She held to her big landau, with her long–tailed black horses and her portly negro coachman and footman, because it gave her opportunities to intimidate the newly rich while apparently apologizing for her antique equipage.