The vehicle, so indisseverably connected with state and dignity of progression, bounded at the heels of galloping horses, its occupant leaning forward with the air of one who would accelerate top speed. The rigs, driving away from the station, parted for its onward rush. Heads craned toward it. There was a chorus of laughing recognitions. A man swung his hat. The train gave a preliminary pulse and quiver as the victoria came to a violent halt, and the lady sprang out in a puff of light silk, and ran fluttering and flapping along the platform. The conductor and porter, all agrin, with an arm under each of her elbows hoisted her to the step of the now moving train. The footman threw up the last of half a dozen bags. Mrs. Essington leaned back and laughed silently across to her companion. “A victoria! Wouldn’t you know she would!” he observed half quizzically, half ruefully. “She’s so, pretty!” “Oh, pretty,” he conceded generously enough, as the lady’s full-throated laugh preceded her into the car. She fairly burst upon them, laughing, blooming, glittering. “Of all people! You dear things!” She squeezed a hand of each affectionately. “Don’t tell me there is nothing in premonition! I had one when I told James the horses must gallop. ‘James,’ I said, ‘it is absolutely _necessary_ that I catch that train, if I get out and run for it.’ James adores me, though of course he _knew_ we looked ridiculous. But it doesn’t matter, now that I have _you_—and just as I was expecting to be alone _all_ the way to Monterey!” She sighed, and sank into the seat Longacre had swung round for her; rose again to be helped out of her coat; removed her hat; caressed her coiffure; resettled in her chair and shifted the fluttering folds of her skirts, with a regret or two for her own helplessness and a hope that the forbearance of her friends was not merely forbearance. Her almond eyes, blue shot with green, implored Longacre’s to refute the self-accusation. But he chose to do so in a neat sentence. Watching her, he had a sense that by her vivacity she staved off the reproach of superabundant flesh. It was marvelous, the way the avoirdupois seemed to lessen under her animation. The wide cheeks flaring away from the dwindling chin; the tight, rosy little mouth drawn up at the corners in a faint, perpetual smile; the tortoise-shell combs that pressed her glossy hair close above her pointed ears, all reminded Longacre irresistibly of a tortoise-shell—but he stopped the simile to answer Cissy Fitz Hugh’s appeal concerning the fate of his opera.