Man-woman relationships -- Fiction; Villages -- England -- Fiction
“I liked that,” said Claire, softly. Her eyes were tearful. Almost
every tune that she knows very well indeed will bring tears to her
eyes, by rousing associations with a past that she always rates higher
than she does the present.
“She doesn’t look like the sort of person to sing that sort of song,”
analyzed Sallie Ambrey. “She looks hard.”
“She looks unhappy,” said Mary.
Christopher leaned forward. “Who is Mrs. Harter?”
“A girl called Diamond Ellison--old Ellison’s daughter. She married and
went out to the East a few years ago.”
“It’s a pity she looked so bad-tempered all the time she was singing,”
observed Dolly Kendal.
“Good-looking woman,” General Kendal muttered, and Mrs. Kendal, Claire,
Sallie, and Aileen Kendal all said, “Oh, do you think so?” in tones
implying surprise, or disagreement, or both. But Nancy Fazackerly
agreeably said, “Yes, isn’t she?” after her fashion.
But when Mumma in the interval remarked, weightily, “That Mrs. Harter
may be a good singer, but she’s a very plain woman,” I distinctly heard
Nancy Fazackerly, ever obliging, say, “Yes, isn’t she?” all over again.
Captain Patch, like Christopher Ambrey, asked who Mrs. Harter was, and
said that he would like to hear her sing again.
“If we can persuade Father--who is sometimes a wee bit inclined to be
conservative, as you may have noticed--we will have a musical evening
and ask Diamond Harter to come,” said Nancy Fazackerly, who has learned
nothing from life and the late Mr. Fazackerly if not complaisance. “I’m
sure Sallie and Martyn would come--and Major Ambrey?”
She looked at Christopher.
“I’d like it very much,” he said.
“I can play accompaniments, and we could have some songs, and it would
be so nice,” said Nancy eagerly.
Her obvious capacity for enjoyment, taken in conjunction with the very
few and poor opportunities of gratifying it that have ever fallen to
her lot, struck me as rather pathetic.
I heard her give her invitation to Mrs. Harter at the end of the
concert, as we were all leaving the hall together.
Mrs. Harter, who did not appear to be an enthusiastic person, accepted
curtly. Her voice was low, and had not the intonation of good breeding,
and when she passed under the flaring lights at the end of the room I
saw that the sulky lines of her face had hardly relaxed at all.
“Thank you, I don’t mind if I do,” was all that she said before walking
away.
“What an ungracious manner, and how typical of her class! I said she
was common,” Claire observed when Mrs. Harter had disappeared.
“I think she’s shy.”
Nancy Fazackerly is always ready to sacrifice truth to kindliness, as
we all know. Perhaps it is the effect of having successively known a
father and a husband, both of whom appear to have lived in a chronic
state of annoyance with everybody.
“It was a nice concert, wasn’t it?” she added, with her childlike
appreciation of any form of pleasuring.
Public-domain text, read in full here on John Shaqi.
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